A Chesterton Calendar: Compiled from the writings of 'G.K.C.' both in verse and in prose. With a section apart for the moveable feasts.Chesterton, G. K. (Gilbert Keith)
Religion
A Chesterton Calendar: Compiled from the writings of 'G.K.C.' both in verse and in prose. With a section apart for the moveable feasts.
Chesterton, G. K. (Gilbert Keith)
Chesterton, G. K. (Gilbert Keith), 1874-1936 -- Calendars
In all things his great spirit had the grandeur and the weakness which
belonged to the England of his time--an England splendidly secure and
free, and yet (perhaps for that reason) provincial and innocent. He had
nothing of the doctrinal quality of the French and Germans. He was not
one who made up his mind, but one who let his mind make him up. He lay
naturally open to all noble influences flowing around him; but he never
bestirred himself to seek those that were not flowing or that flowed
in opposite directions. Thus, for instance, he really loved liberty,
as only a novelist can love it, a man mainly occupied with the variety
and vivacity of men. But he could not see the cause of liberty except
where the Victorian English saw it; he could not see it in the cause of
Irish liberty (which was exactly like the cause of Polish or Italian
liberty, except that it was led by much more religious and responsible
men), and he made the Irish characters the object of much innocent and
rather lumbering satire. But this was not his mistake, but the mistake
of the atmosphere, and he was a sublime emotional Englishman, who lived
by atmosphere. He was a great sensitive. The comparison between him
and Dickens is commonly as clumsy and unreasonable as a comparison
between Wilkie Collins and Charles Reade or Bulwer Lytton and Anthony
Trollope. But the comparison really has this element of actuality: that
Dickens was above all things creative; Thackeray was above all things
receptive. There is no sense in talking about truth in the matter:
both are modes of truth. If you like to put it so: the world imposed
on Thackeray, and Dickens imposed on the world. But it could be put
more truly by saying that Thackeray represents, in that gigantic parody
called genius, the spirit of the Englishman in repose. This spirit is
the idle embodiment of all of us; by his weaknesses we shall fail and
by his enormous sanities we shall endure.
_Introduction to 'Thackeray.'_
JULY 19th
The Marchioness really has all the characteristics, the entirely
heroic characteristics, which make a woman respected by a man. She is
female--that is, she is at once incurably candid and incurably loyal,
she is full of terrible common sense, she expects little pleasure
for herself and yet she can enjoy bursts of it; above all, she is
physically timid and yet she can face anything.
_Introduction to 'The Old Curiosity Shop.'_
JULY 20th
Public-domain text, read in full here on John Shaqi.
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