Now the young man's name was Dimby--"Trot" Dimby--and his mother had
been a Clupton, so that--but had I not already dismissed him? Indeed I
only mentioned him because it seemed that his going to that Inn might
put me on track of that One Great Ultimate and Final True Thing I am
purposed to say about Christmas. Don't ask me yet what that Thing is.
Truth dwells in no man, but is a shy beast you must hunt as you may in
the forests that are round about the Walls of Heaven. And I do hereby
curse, gibbet, and denounce in _execrationem perpetuam atque aeternam_
the man who hunts in a crafty or calculating way--as, lying low,
nosing for scents, squinting for trails, crawling noiselessly till
he shall come near to his quarry and then taking careful aim. Here's
to him who hunts Truth in the honest fashion of men, which is, going
blindly at it, following his first scent (if such there be) or (if
none) none, scrambling over boulders, fording torrents, winding his
horn, plunging into thickets, skipping, firing off his gun in the air
continually, and then ramming in some more ammunition anyhow, with
a laugh and a curse if the charge explode in his own jolly face. The
chances are he will bring home in his bag nothing but a field-mouse
he trod on by accident. Not the less his is the true sport and the
essential stuff of holiness.
As touching Christmas--but there is nothing like verse to clear the
mind, heat the blood, and make very humble the heart. Rouse thee,
Muse!
One Christmas Night in Pontgibaud
(_Pom-pom, rub-a-dub-dub_)
A man with a drum went to and fro
(_Two merry eyes, two cheeks chub_)
Nor not a citril within, without,
But heard the racket and heard the rout
And marvelled what it was all about
(_And who shall shrive Beelzebub?_)
He whacked so hard the drum was split
(_Pom-pom, rub-a-dub-dum_)
Out lept Saint Gabriel from it
(_Praeclarissimus Omnium_)
Who spread his wings and up he went
Nor ever paused in his ascent
Till he had reached the firmament
(_Benedicamus Dominum_).
That's what I shall sing (please God) at dawn to-morrow, standing on
the high, green barrow at Storrington, where the bones of Athelstan's
men are. Yea,
At dawn to-morrow
On Storrington Barrow
I'll beg or borrow
A bow and arrow
And shoot sleek sorrow
Through the marrow.
The floods are out and the ford is narrow,
The stars hang dead and my limbs are lead,
But ale is gold
And there's good foot-hold
On the Cuckfield side of Storrington Barrow.
This too I shall sing, and other songs that are yet to write. In
Pagham I shall sing them again, and again in Little Dewstead. In
Hornside I shall rewrite them, and at the Scythe and Turtle in Liphook
(if I have patience) annotate them. At Selsey they will be very
damnably in the way, and I don't at all know what I shall do with them
at Selsey.
Public-domain text, read in full here on John Shaqi.
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