He stood in the little dim pulpit, the summer evening was fading, the lamps in the church had not been lighted, and the faces of the village folk were softened, sweetened in the gentle Sabbath gloom. He drew a picture of Paul in prison at Rome, old and in anticipation of his end. William never knew how to use words fancifully, therefore they used to gather together truthfully in his sermons, as if he had wove them in. And so now we had not an elegantly-painted portrait of St. Paul, but we saw him really, the man who actually had counted all things but loss for the excellency of the knowledge of Christ Jesus--so out of his bonds in the spirit. It takes a rare preacher to portray one "found in Christ." He cannot do it with the best theological vocabulary, nor the finest scientific terms. But William, I cannot tell how he did it--all I know is that every time he put his sentences together, they cast again the image of the Saviour upon every heart before him. He stood like a man who has his hand upon the latch-string of the door of his Father's house, counting over one by one the things to be lost and gained there. Nothing remained but a few simple things like loving one another. He removed the world and the cares of it and set our feet in the way of life like a wise man guiding little children. If Horace Pendleton had put all he knew into one discourse, garnished it with a thousand terms taken from the "new theology," he could not have approached the awful simplicity and the high sweetness of that sermon. But one thing I must remember to tell; as long as he lived William loved and honored this man with perfect devotion. That is the wonderful thing about being good. You see it always, your eyes are happily holden to evil. On the other hand, I had occasion to learn after William's death that Pendleton regarded him with good-natured derision. He thought him a stupid man bound down to the earth by a meager theology. He even wrote an obituary notice of William that must have made his guardian angel long to kick him--all a grand toot to show the contrast between a preacher like himself and a foolish old stutterer like William. CHAPTER XI FINANCES AND FASHIONS