_Mom_. Now will we consecrate our ready supper To honourd _Hymen_ as his nuptiall rite; In forme whereof first daunce, faire Lords and Ladies, And after sing, so we will sing, and daunce, And to the skies our vertuous joyes advance. _The Measure_. Now to the song and doe this garland grace. _Canto. Willowe, willowe, willowe, our Captaine goes downe: Willowe, willowe, willowe, his vallor doth crowne. The rest with Rosemary we grace; O Hymen let thy light With richest rayes guild every face, and feast harts with delight. Willowe, willowe, willowe, we chaunt to the skies; And with blacke, and yellowe, give courtship the prize_. FINIS. NOTE.--In a letter to the _Athenaeum_ of June 9, 1883, Mr. Fleay suggests that _Sir Giles Goosecap_ is the work of George Chapman. "It was produced by the Children of the Chapel, and must therefore date between 1599 and 1601. The only other plays known to have been represented by the Chapel Children are Lyly's _Love's Metamorphosis_ and the three _Comical Satires_ of Ben Jonson. The present play bears palpable marks of Jonson's influence.... The author, then, must have been a stage writer at the end of the sixteenth century, probably a friend of Jonson's, and not surviving 1636. The only known playwrights who fulfil the time conditions are Marston, Middleton, and Chapman. Internal evidence, to say nothing of Jonson's enmity, is conclusive against Marston and Middleton. Chapman, on the other hand, fulfils the conditions required. He was Jonson's intimate friend, and died in 1634. In 1598 he was writing plays for Henslow at the Rose Theatre; on July 17, 1599, his connexion with the Admiral's Company there performing ceased; and his next appearance in stage history is as a writer for the Children of Her Majesty's Revels, the very company that succeeded, and was, indeed, founded on that of the Children of the Chapel at Blackfriars. If Chapman was not writing for the Chapel boys from 1599 to 1601, we do not know what he was doing at all. The external evidence, then, clearly points to Chapman. The internal is still more decisive. To say nothing of metrical evidence, which seems just now out of fashion, probably on account of the manner in which it has been handled, can there be any doubt of the authorship of such lines as these:-- 'According to my master Plato's mind,' &c.--iii. II.