A Colonial Reformer, Vol. 3 (of 3)Boldrewood, Rolf
History
A Colonial Reformer, Vol. 3 (of 3)
Boldrewood, Rolf
Australia -- History -- 19th century -- Fiction
‘Married!’ echoed Antonia, as she felt the tide of life arrested in
her veins for one moment, and, with the next, course wildly back to
her beating heart. ‘Married, Mr. Baldacre, and why not? But papa often
hears from him, don’t you, pappy, and he never mentioned it.’
‘Mentioned it! I should think not,’ growled Paul, with a leonine
accent, as scenting danger. ‘I heard from him, let me see, a month or
two back. I don’t believe a word of it. Who to?’
‘Well, _I saw the young lady_,’ persisted Baldacre, wholly unabashed,
while he noted Antonia’s pale and unmoved features. ‘I went up in the
coach with her, half way to Rainbar. She’s a cousin of his own; same
name. Just out from England, and ever so rich.’
‘How the deuce should she go alone up to Rainbar?’ said Paul, full
of doubt and dread. ‘Surely _we_ should have heard of her, when she
landed.’
‘She told me that she made up her mind suddenly to come out to him—did
not let him know, and only stayed a week in Sydney, at Petty’s.’
‘Most romantic!’ said Antonia, driving the unseen dagger more deeply
into her heart, after the fashion of her sex, but smiling and forcing
a piteous and unreal gaiety; ‘and was she fair to look upon—a blonde
or brunette? Mr. Baldacre, you were evidently in her confidence; you
cannot escape a description.’
‘She was very good-looking indeed,’ said the ruthless Hardy, who had
been struck with Augusta’s fresh complexion and insular manner. ‘She
wore a gold eyeglass, which looked odd; but she was very clever, and
all that kind of thing, as any one could see.’
‘Even Mr. Baldacre,’ said Antonia, with a sarcastic acknowledgment.
‘You must have had a delightful journey. You will tell me any other
particulars that occur to you in the drawing-room. I feel quite
interested.’
Here the faint signal passed which proclaims the withdrawal of the lady
_convives_ and the temporary separation of the sexes. What mysterious
rites are celebrated above by the assembled maids and matrons, freed
awhile from the disturbing influence of the male element? Does a wholly
unaffected, perhaps unamused expression possess those lovely features,
erst so full of every virtue showing forth in every look? Do they
exchange confidences? Do they _trust_ each other? Do they doff their
uniforms, and appear unarmed, save with truth, innocence, simplicity?
_Quien sabe?_
Public-domain text, read in full here on John Shaqi.
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