When they had finished eating they would go down-stairs, and, summoning a cab, be driven to the play. On the way, they looked straight before them, digesting their food. In the streets the lamplight whitened the wet pavements, and the wind blew impartially on starved faces, and faces like their own. Without turning to him, she would murmur: “I can’t make up my mind, dear, whether to get the children’s summer suits at once, or wait till after Easter.” When he had answered, there would again be silence. And as the cab turned into a by-street, some woman, with a shawl over her head and a baby in her arms, would pass before the horse’s nose, and, turning her deathly face, mutter an imprecation. Throwing out the end of his cigar, he would say quietly: “Look here, if we’re not going abroad this year, it’s time I looked out for a fishing up in Skye.” Then, recovering the main thoroughfare, they would reach their destination. The theatre had for them a strange attraction. They experienced beneath its roof a peculiar sense of rest, like some man-at-arms would feel in the old days when, putting off his armour, he stretched his feet out in the evening to the fire. It was a double process that produced in them this feeling of repose. They must have had a dim suspicion that they had been going about all day in armour; here, and here alone, they would be safe against gaunt realities, and naked truths; nothing here could assail their comfort, since the commercial value of the piece depended on its pleasing them. Everything would therefore be presented in a classic--not a cosmic--spirit, suitable to people of their status. But this was only half the process which wrought in them the sense of ease. For, seated side by side, their attentive eyes fixed on the stage, the thrill of “seeing life” would come; and this “life”--that was so far removed from life--seemed to bring to them a blessed absolution from all need to look on it in other forms. They would come out, subtly inspired, secretly strengthened. And whether the play had made them what they were, or they had made the play, was another of those things that no man knows. Their spiritual exaltation would take them to their mansions, and elevate them till they reached their floor. But when--seldom, luckily--their journal was at fault, and they found themselves confronted with a play subversive of their comfort, their faces, at first attentive, would grow a little puzzled, then hurt, and lastly angry; and they would turn to each other, as though by exchanging anger they could minimize the harm that they were suffering. She would say in a loud whisper: “I think it’s a perfectly disgusting play!” and he would answer: “So dull--that’s what I complain of!”