The bearing of PAPELONNÉ is more frequently found; in it the field is covered with what appear to be scales, the heraldic term _papelonné_ being derived from a supposed resemblance of these scales to the wings of butterflies; for example the coat of MONTI: _Gules, papelonné argent_. DONZEL at Besançon bears: Papelonné d'or et de sable. It is worthy of note that Donzé of Lorraine used: Gules, three bars wavy or. The FRANCONIS of Lausanne are said to bear: _de Gueules papelonné d'argent_, and on _a chief of the last a rose of the first_, but the coat is otherwise blazoned: _Vaire gules and or_, &c. The coat of ARQUINVILLIERS, or HARGENVILLIERS, in Picardy, of _d'Hermine papelonné de {84} gueules_ (not being understood, this has been blazoned "_semé of caltraps_"). So also the coat of CHEMILLÉ appears in French books of blazon indifferently as: _d'Or papelonné de gueules_: and _d'Or semé de chausse-trapes de gueules_. GUÉTTEVILLE DE GUÉNONVILLE is said to bear: _d'Argent semé de chausse-trapes de sable_, but it is more probable that this is simply _d'Argent papelonné de sable_. The BARISONI of Padua bear: _Or, a bend of scales, bendwise argent, on each scale an ermine spot sable, the bend bordered sable_. The ALBERICI of Bologna bear: _Papelonné of seven rows, four of argent, three of or_; but the ALBERGHI of the same city: _Papelonné of six rows, three of argent, as many of gules_. The connection with _vairé_ is much clearer in the latter than in the former. CAMBI (called FIGLIAMBUCHI), at Florence, carried: _d'Argent, papelonné de gueules_; MONTI of Florence and Sicily, and RONQUEROLLES of France the reverse. No one who is familiar with the licence given to themselves by armorial painters and sculptors in Italy, who were often quite ignorant of the meaning of the blazons they depicted, will doubt for a moment the statement that Papelonné was originally a corruption from or perhaps is simply ill-drawn Vair."