A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
General
A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
_Bartlett._--"Oh, I dare say you wouldn't have done it if you hadn't
had a wild ass of the desert to deal with. Well, the old people got used
to some little individuality in me, by-and-by, and beyond a suppressed
whoop or two from the mother when I came suddenly into the room, they
didn't do anything to annoy me directly. But they were anxious every
minute for the effect on _her_; and it worried me as much to have _them_
watching _her_ as to have _her_ watching _me_. Of course I knew that she
talked this confounded resemblance over with her mother every time I
left them, and avoided talking it over with the father."
_Cummings._--"But you say the trouble's over now."
_Bartlett._--"Oh--_over_! No, it isn't over. When she's with me a while
she comes to see that I am not a mere _doppelgänger_. She respites me to
that extent. But I have still some small rags of self-esteem dangling
about me; and now suppose I should presume to set up for somebody on my
own account; the first hint of my caring for her as I do, if she could
conceive of anything so atrocious, would tear open all the old sorrows.
Ah! I can't think of it. Besides, I tell you, it isn't all over. It's
only not so bad as it was. She's subject to relapses, when it's much
worse than ever. Why"--Bartlett stands facing his friend, with a
half-whimsical, half-desperate smile, as if about to illustrate his
point, when Constance and her mother enter the parlour.
[Footnote 1: Aftermath.]
II.
CONSTANCE, MRS. WYATT, BARTLETT, _and_ CUMMINGS.
_Constance_, with a quick violent arrest.--"Ah! Oh!"
_Mrs. Wyatt._--"Constance, Constance, darling! What's the matter?"
_Constance._--"Oh, nothing--nothing." She laughs, nervously. "I thought
there was nobody--here; and it--startled me. How do you do, Mr.
Cummings?" She goes quickly up to that gentleman, and gives him her
hand. "Don't you think it wonderful to find such a day as this, up here,
at this time of year?" She struggles to control the panting breath in
which she speaks.
_Cummings._--"Yes, I supposed I had come quite too late for anything of
the sort. You must make haste with your Ponkwasset, Miss Wyatt, or
you'll have to paint him with his winter cap on."
_Constance._--"Ah, yes! My picture. Mr. Bartlett has been telling you."
Her eyes have already wandered away from Cummings, and they now dwell,
with a furtive light of reparation and imploring upon Bartlett's
disheartened patience: "Good _morning_." It is a delicately tentative
salutation, in a low voice, still fluttered by her nervous agitation.
_Bartlett_, in dull despair: "_Good_ morning."
_Constance._--"How is the light on the mountain this morning?" She
drifts deprecatingly up to the picture, near which Bartlett has stolidly
kept his place.
_Bartlett_, in apathetic inattention.--"Oh, very well, very well indeed,
thank you."
_Constance_, after a hesitating glance at him.--"Did you like what I had
done on it yesterday?"
_Bartlett_, very much as before.--"Oh, yes; why not?"
Public-domain text, read in full here on John Shaqi.
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