A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
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A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
_Constance_, with a meek subtlety.--"I was afraid I had vexed you--by
it." She bends an appealing glance upon him, to which Bartlett remains
impervious, and she drops her eyes with a faint sigh. Then she lifts
them again: "I was afraid I had--made the distance too blue."
_Bartlett._--"Oh, no; not at all."
_Constance._--"Do you think I had better try to finish it?"
_Bartlett._--"Oh, certainly. Why not? If it amuses you!"
_Constance_, perplexedly.--"Of course." Then with a sad significance:
"But I know I am trying your patience too far. You have been so kind, so
good, I can't forgive myself for annoying you."
_Bartlett._--"It doesn't annoy me. I'm very glad to be useful to you."
_Constance_, demurely.--"I didn't mean painting; I meant--screaming."
She lifts her eyes to Bartlett's face, with a pathetic, inquiring
attempt at lightness, the slightest imaginable experimental archness in
her self-reproach, which dies out as Bartlett frowns and bites the
corner of his moustache in unresponsive silence. "I ought to be well
enough now to stop it: I'm quite well enough to be ashamed of it." She
breaks off a miserable little laugh.
_Bartlett_, with cold indifference.--"There's no reason why you should
stop it--if it amuses you." She looks at him in surprise at this
rudeness. "Do you wish to try your hand at Ponkwasset this morning?"
_Constance_, with a flash of resentment.--"No; thanks." Then with a
lapse into her morbid self-abasement: "I shall not touch it again.
Mamma!"
_Mrs. Wyatt._--"Yes, Constance." Mrs. Wyatt and Cummings, both intent on
Bartlett and Constance, have been heroically feigning a polite interest
in each other, from which pretence they now eagerly release themselves.
_Constance._--"Oh--nothing. I can get it of Mary. I won't trouble you."
She goes toward the door.
_Mrs. Wyatt._--"Mary isn't up from her breakfast yet. If you want
anything, let me go with you, dear." She turns to follow Constance.
"Good morning, Mr. Cummings; we shall see you at dinner. Good
morning,"--with an inquiring glance at Bartlett. Constance slightly
inclines towards the two gentlemen without looking at them, in going out
with her mother; and Cummings moves away to the piano, and affects to
examine the sheet-music scattered over it. Bartlett remains in his place
near the easel.
III.
BARTLETT _and_ CUMMINGS.
_Bartlett_, harshly, after a certain silence which his friend is
apparently resolved not to break.--"Sail in, Cummings!"
_Cummings._--"Oh, I've got nothing to say."
_Bartlett._--"Yes, you have. You think I'm a greater fool and a greater
brute than you ever supposed in your most sanguine moments. Well, I am!
What then?"
_Cummings_, turning about from the music at which he has been pretending
to look, and facing Bartlett, with a slight shrug.--"If you choose to
characterise your own behaviour in that way, I shall not dispute you at
any rate."
_Bartlett._--"Go on!"
Public-domain text, read in full here on John Shaqi.
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