A Country Idyl, and Other StoriesBolton, Sarah Knowles
General
A Country Idyl, and Other Stories
Bolton, Sarah Knowles
United States -- Social life and customs -- 19th century -- Fiction
It is too much the fashion to argue that men are not deeply touched in
such matters; that, full of business as they are, a refusal is easily
borne, and another love takes the place.
True, we read in the daily press quite often of a suicide resulting
from a rebuff or a broken promise, but we seem to forget, unless
perchance it touches our own home circle, and then the mother’s heart
breaks for her tenderly reared son or daughter.
I believe the history of the world shows that men love deeply, and
with an affection as lasting as that of women. Who can ever forget
the undying affection of Sir Walter Scott for fair young Margaret? He
met and loved her at nineteen, and for six years worked at his law
drudgery, looking forward to a happy union with her. He said to a
friend, “It was a proud night with me when I first found that a pretty
young woman could think it worth while to sit and talk with me hour
after hour, in a corner of the ball-room, while all the world were
capering in our view.”
As his first year’s practice brought him but $125, his second $290, and
his third $420, the young lady counselled waiting for better days.
Two years later Margaret was married to the eldest son of a baronet,
afterward Sir William Forbes, and died thirteen years after her
marriage. The cause of her change of mind is not known.
At first Scott felt that he had been wronged, but this feeling against
Margaret soon subsided, and was replaced by an unchangeable affection.
She became the heroine of “Rokeby” and of “Woodstock.”
Thirty years later, when Europe and America were filled with praise of
Scott, he met the mother of his early love. He writes in his diary,
after the meeting:
“I went to make a visit, and fairly softened myself like an old fool,
with recalling old stories till I was fit for nothing but shedding
tears and repeating verses for the whole night. This is sad work. The
very grave gives up its dead, and time rolls back thirty years to add
to my perplexities. I don’t care. I begin to grow case-hardened, and,
like a stag turning at bay, my naturally good temper grows fierce
and dangerous. Yet what a romance to tell, and told, I fear, it will
one day be. And then my three years of dreaming and my two years of
awakening will be chronicled, doubtless. But the dead will feel no
pain.”
When he visited St. Andrews he recalled how thirty-four years before he
had carved her name in runic characters on the turf beside the castle
gate, and asked himself why, at fifty-six, that name “should still
agitate his heart.”
Public-domain text, read in full here on John Shaqi.
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