A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
Beltrami's face always put me in mind of that sinister countenance of
Sigismondo Malatesta, which sneers so malevolently at the curious
onlooker from the walls of the Duomo at Rimini. He had the same
treacherous droop of the eyelids, the same thin nose with wide,
sensitive nostrils, and the same malignant smile on his thin lips. Yet
he was handsome enough, this young Italian; but his face, in spite of
my friendship, repelled me--in a less degree, it is true, but still it
repelled me in the like manner as did that of the Contessa Morone. So
he was going to marry her. Well, they were certainly well-matched in
every respect, and if the man had not the active wickedness of the
woman, still the capability of evil was there, and would awaken to
life when necessary to be exercised. Both Beltrami and his future wife
were anachronisms in this nineteenth century, and should have lived,
smiled, and died in the time of the Renaissance, when they would have
been fitted companions of those Italian despots of whom Machiavelli
gives the typical examples in his book "The Prince."
The Marchese saw my inquiring look, and with an enigmatic smile walked
across to where I was standing in the warm, yellow light.
"Ebbene! Signor Hugo," he whispered, with a swift glance at the
Contessa, "tell me what you think of my choice."
"It does you credit, Marchese. You will have a beautiful wife."
"And a loving one, I hope. Tell me, mon ami, do you not envy me?"
I hesitated a moment before replying, and then blurted out the
truth,--
"Honestly speaking, Signor Luigi, I do not!"
"Dame! and why?"
"Well, I can hardly tell you my reasons, but I have them,
nevertheless."
Beltrami looked hard at me with an inquisitive look in his dark eyes,
and a satirical smile on his thin lips.
"You are not complimentary, my friend," he said, turning away with a
supercilious laugh.
I laid my hand on his shoulder and explained,--
"Pardon me, Beltrami, you do not understand----"
"Eh! do not apologise! I understand better than you think."
Public-domain text, read in full here on John Shaqi.
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