A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
I was annoyed at having yielded to the impulse and spoken out, as,
unless I told all about my adventure, I could not substantiate my
statement, and I was certainly not going to reveal anything I knew,
particularly in the presence of the woman so deeply implicated in the
affair. Beltrami's mocking manner irritated me fearfully, the more so
as it was so very unaccountable, and I was about to make some sharp
reply, when the opening chorus of the last act sounded, and all the
gentlemen, after making their adieux to the Contessa, left the room.
The Marchese offered his arm to Madame Morone, but she dismissed him
with a haughty gesture.
"One moment, Marchese--I wish to speak with this Signor for a few
minutes."
Beltrami darted one of his enigmatic looks at us both, and with a low
bow to conceal the smile on his lips, left the room. As soon as he had
disappeared, Madame Morone turned round on me with a quick gesture of
surprise.
"Signor Hugo, why did you say the tenor Pallanza would never be seen
again?"
"I have no reason, Signora," I replied, being determined to baffle her
curiosity; "I merely spoke on the impulse of the moment."
"Do you know Signor Pallanza?"
"No, madame, I have not the pleasure of his acquaintance."
"Ah!"
She heaved a sigh of relief, and looked at me long and earnestly, as
if to see whether I was speaking the truth. Apparently she was
satisfied with her scrutiny, for she laughed softly, and placed her
hand within my arm.
"Confess now, Signor Hugo, you think me most mysterious, but I will
tell you why I speak thus. I heard Pallanza at Rome, when he sang at
the Apollo, and I hoped to see him again here, therefore I am annoyed
at his disappearance and anxious for him to be found. A selfish wish,
Signor Hugo, for it is only my desire to hear him sing again. Ecco!"
"I do not think your wish at all selfish, madame, for I hear he is a
charming singer."
"Oh, yes! the New Mario they call him in Milan. Will you not hear the
rest of the opera in my box?"
"If you will excuse me, madame, I will say no, as I have an
engagement."
This was a lie, but I was so fearful of betraying myself to this
terrible woman, who had evidently a half-suspicion that I knew
something of Pallanza, that I was anxious to get away as soon as
possible. She, saying good-night, in a cold, polite manner, re-entered
the box, and I was moving away when Beltrami suddenly appeared.
"Eh, Hugo, how cruel! the Contessa tells me you must go?"
"Yes. I will see you again, Marchese!"
"To-morrow then; if not, the next day. Here is my card, and I am
always at home in the afternoon. Do not fail to come, mon ami--I wish
to speak to you about--about----"
He paused, and I asked curiously,--
"About what?"
"Eh, dame! I forget. I will tell you at our next meeting' A rivederci!
Signor Hugo. Don't forget your old friend, or he will quarrel with
you."
Public-domain text, read in full here on John Shaqi.
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