A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
So far so good, but now the question arose, how much of this story was
I to reveal to Bianca? I could not tell her the whole, for if the body
of her lover were discovered, the poor child would suffer quite enough
without the additional information of Guiseppe's infidelity; so,
making a virtue of necessity, I determined upon telling her a pious
lie. To do this it was necessary to leave out the Contessa Morone
altogether, as the least mention of a woman's name would arose
Bianca's suspicions, and for the Contessa I substituted a robber, who
had decoyed Guiseppe to the deserted palace by means of a false
letter, and there ended his life. Of course it was somewhat difficult
to be consistent in the narrative; but I was so anxious to hide the
cruel truth of Pallanza's worthlessness from Bianca that I went over
the story I had invented, again and again, until I thought I had the
whole pious fraud quite perfect.
Having thus arranged my plans, I arose, finished my roll and coffee,
then, having dressed myself rapidly, set off at once for the Casa
Angello, as it was nearly time for my lesson. All my bruises were now
quite well, yet I felt very depressed and downcast, as the state of
nervous excitement which I had been in for the last few days had told
terribly on my system. However, having once put my hand to the plough
I could not, with satisfaction to myself, turn back; and although I
heartily dreaded the coming interview with Bianca, yet it was
unavoidable, as the poor child was so anxious over her lost lover that
it was necessary to tell my fictitious story without delay in order to
set her mind at rest.
On my arrival at the Casa Angello I found no one there but Bianca, who
was anxiously awaiting me. It appeared that the Maestro had taken it
into his head that he would like a walk in the sunshine, and had gone
out under the care of Petronella; but, as Bianca knew I was coming to
take my usual lesson, and was anxious to hear if I had any news of her
lover, she remained indoors to speak to me.
The "Fiorè della Casa," as old Petronella tenderly called her in the
poetic language of the Italians, looked even paler than usual, and the
dark shadows under her dark eyes made them appear wonderfully large
and star-like. She had a bunch of delicate lilies-of-the-valley in the
bosom of her white dress, and she looked as pale and blanched as the
frail flowers themselves. Lying back on the green-covered sofa on
which she was seated, she reminded me of a late snowflake resting on
the emerald grass of early spring, which at any moment might vanish
under the pale rays of the sun.
Public-domain text, read in full here on John Shaqi.
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