Mr. Morris’s second volume brings the great romantic epic of Greek literature to its perfect conclusion, and although there can never be an ultimate translation of either _Iliad_ or _Odyssey_, as each successive age is sure to find pleasure in rendering the two poems in its own manner and according to its own canons of taste, still it is not too much to say that Mr. Morris’s version will always be a true classic amongst our classical translations. It is not, of course, flawless. In our notice of the first volume we ventured to say that Mr. Morris was sometimes far more Norse than Greek, nor does the volume that now lies before us make us alter that opinion. The particular metre, also, selected by Mr. Morris, although admirably adapted to express ‘the strong-winged music of Homer,’ as far as its flow and freedom are concerned, misses something of its dignity and calm. Here, it must be admitted, we feel a distinct loss, for there is in Homer not a little of Milton’s lofty manner, and if swiftness be an essential of the Greek hexameter, stateliness is one of its distinguishing qualities in Homer’s hands. This defect, however, if we must call it a defect, seems almost unavoidable, as for certain metrical reasons a majestic movement in English verse is necessarily a slow movement; and, after all that can be said is said, how really admirable is this whole translation! If we set aside its noble qualities as a poem and look on it purely from the scholar’s point of view, how straightforward it is, how honest and direct! Its fidelity to the original is far beyond that of any other verse-translation in our literature, and yet it is not the fidelity of a pedant to his text but rather the fine loyalty of poet to poet.