Arrived at the end of the gallery, we ascended the broad stone steps,
and came to a landing twenty or thirty feet above the level of the floor
we had traversed. Here Yoletta pushed a glass door aside and ushered me
into another apartment--the Mother's Room. It was spacious, and, unlike
the gallery, well-lighted; the air in it was also warm and balmy, and
seemed charged with a subtle aroma. But now my whole attention was
concentrated on a group of persons before me, and chiefly on its central
figure--the woman I had so much desired to see. She was seated, leaning
back in a somewhat listless attitude, on a very large, low, couch-like
seat, covered with a soft, violet-colored material. My very first glance
at her face revealed to me that she differed in appearance and
expression from other inmates of the house: one reason was that she was
extremely pale, and bore on her worn countenance the impress of
long-continued suffering; but that was not all. She wore her hair, which
fell unbound on her shoulders, longer than the others, and her eyes
looked larger, and of a deeper green. There was something wonderfully
fascinating to me in that pale, suffering face, for, in spite of
suffering, it was beautiful and loving; but dearer than all these things
to my mind were the marks of passion it exhibited, the petulant, almost
scornful mouth, and the half-eager, half-weary expression of the eyes,
for these seemed rather to belong to that imperfect world from which I
had been severed, and which was still dear to my unregenerate heart. In
other respects also she differed from the rest of the women, her dress
being a long, pale-blue robe, embroidered with saffron-colored flowers
and foliage down the middle, and also on the neck and the wide sleeves.
On the couch at her side sat the father of the house, holding her hand
and talking in low tones to her; two of the young women sat at her feet
on cushions, engaged on embroidery work, while another stood behind her;
one of the young men was also there, and was just now showing her a
sketch, and apparently explaining something in it.
I had expected to find a sick, feeble lady, in a dimly-lighted chamber,
with perhaps one attendant at her side; now, coming so unexpectedly
before this proud-looking, beautiful woman, with so many about her, I
was completely abashed, and, feeling too confused to say anything, stood
silent and awkward in her presence.
"This is our stranger, Chastel," said the old man to her, at the same
time bestowing an encouraging look on me.
She turned from the sketch she had been studying, and raising herself
slightly from her half-recumbent attitude, fixed her dark eyes on me
with some interest.
"I do not see why you were so much impressed," she remarked after a
while. "There is nothing very strange in him after all."
Public-domain text, read in full here on John Shaqi.
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