The oath of William Rufus, _per vultum de Lucca,_ has raised conjectures
as to its probable signification. The literal meaning, "by Saint Luke's
face," being rejected as not very intelligible, there remain two
distinct explanations: one that it referred to the face of Christ as
painted by St. Luke, the other that the portrait of Christ as preserved
in the cathedral church at Lucca is the object intended. To support the
first derivation, credence must be given to the legend which places the
apostle among the artist craftsmen of Judaea, and has enshrined him as
the patron saint of all workers in the arts. On the other hand, there
has reposed for some centuries at Lucca a miraculous crucifix, famous
alike for the marvels it has seen and accomplished. The Tuscan people
set great store by the possession of this relic, and have engraved a
representation of it upon their coins. The inscription upon the Tuscan
florin, "Sanctus vultus de Lucca," would seem, therefore, to be
identical with the expletive of William Rufus.
We have seen how the occupants of the throne have usually comported
themselves in the matter of oaths, but there is one recorded instance of
Plantagenet royalty having created a singular precedent. If any man can
be said to have ever had cause for swearing, Henry VI. might be
described as being that individual. It is stated, however, by
contemporaries who had opportunities for conversing with this king, and
by whom it is given as a somewhat remarkable fact, that he was never
known to swear under the greatest provocation.
The adage that enjoins us to repeat "no scandal about Queen Elizabeth"
should dispose us to deal lightly with any verbal excesses committed by
the virgin queen. It would appear, however, that the moral atmosphere of
her court, despite the intellect and talent that adorned it, was not so
refined or particular but that the sovereign and the ladies over their
breakfasts of steaks and beer could ring out exclamations that to a
later generation might appear of rather an astounding character.[28] To
turn for comparison to the era of the next female majesty, it is
questionable whether even Sarah Jennings, with all her power of abuse,
would not have taken exception to the flavour of some of the Elizabethan
adjectives.
Public-domain text, read in full here on John Shaqi.
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