Henry James in a long and intimate letter had said, "It is high time for you to visit England. I shall take great pleasure in having you for a week-end here at Old Rye"--and a re-reading of this letter tipped the scale. I took the train for Wisconsin to see my mother and prepare her for my immediate trip to London. Dear soul! She was doubly deeply disappointed, for I not only failed to bring assurance of a new daughter, I came with an avowal of desertion in my mouth. Pathetically counting on my spending the summer with her, she must now be told that I was about to sail for the Old World! It was not a happy home-coming. I acknowledged myself to be a base, unfilial, selfish wretch, "and yet--if I am ever to see London now is my time. Each year my mother will be older, feebler. The sooner I make the crossing the safer for us all. Furthermore I am no longer young--and just now with Barrie, Shaw, Zangwill, Doyle and Henry James, England will be hospitable to me. The London Macmillans are to bring out my books and so----" Mother consented at last, tearfully, begging me not to stay long and to write often, to which I replied, "You may count on me in July. I shall only be gone three months--four at the outside. I shall send Frank to stay with you--and I shall write every day." Just before coming to West Salem (with a feeling of guilt in my heart) I had purchased a mechanical piano in the hope that it would cheer her lonely hours, and as this instrument had arrived I unboxed it and set it up in the music room, eager to please the old folks to whom it was an amazing contrivance. It was on Sunday and Uncle Will came in together with several of the neighbors, and while I manipulated the stops and worked the pedals, they all sat in silence, marveling at the cunning of the mechanism rather than enjoying "The Ride of the Valkyries." However as I played some simpler things, a song of MacDowells, a study by Grieg, my Uncle's head bowed, and on his face came that somber brooding look which recalled to me the moods of David, his younger brother, whose violin had meant so much to me when as a boy, I lay before the fire and listened with sweet Celtic melancholy to the wailing of its strings. Something in these northern melodies sank deep into my mother's inherited memories, also, and her eyes were wide and still with inward vision, but my Aunt Susan said, "That's a fine invention, but I'd rather hear you sing," and in this judgment Maria concurred. "It's grand," she admitted, "but 'tain't like the human voice." In the end I put the machine back in the corner and sang for them, some of the familiar songs. The instrument was surprising and new and wonderful but it did not touch the hearts of my auditors like "Minnie Minturn" and "The Palace of the King."