It was some time before this that I'd made up my mind to try for the
Savage Prize. The Savage Prize was open to the whole school, and it was
for the best oration given at a contest the week before commencement. I
was pretty good at what I called speaking pieces, and what they called
"vocational expression." And I had some things in my head that I wanted
to write about. I'd decided to write on "Growing," and I meant by that
just getting different from what you were, that my head was so full of.
I had a good deal to say, beginning with that white god that I knew all
about now. But Rose Everly didn't know. And I wondered why.
One day the principal called me in her office.
"Miss Spot has showed me the rough draft of your oration," she said. "It
is admirable, Cosma. But I should not emphasize unduly the painful fact
that there are many to whom growth is denied. Dwell on the inspiring
features of the subject. Let it bring out chiefly sweetness and light."
"But--" I says.
"That will do, Cosma. Thank you," said the principal.
While I was working on the Savage Prize oration, trying to make it "all
sweetness and light," Antoinette sent me a note, in history class.
"Jolly larks!" she said, "Friday. Dinner at the Dudleys' studio.
Opera in the Dudleys' box. Our house for Sunday. Look your best.
Baddy Dudley is back--You remember about him?"
Mr. Gerald had been promising to take us to the Dudleys' studio. Mr.
Dudley's brother, "Baddy," spending that winter in Italy, had had a
kodak picture of Antoinette and me and had sent me messages through
Gerald.
On the night of the party I was dressing in my room at the school when a
maid came up with a message. A girl was down-stairs to see me. My lace
gown and a white cloak that Antoinette had loaned me were spread on the
bed. I was just finishing my hair and tying in it a gold rose of
Antoinette's when my visitor came in. It was Rose Everly.
I'll never forget how Rose looked. She had on a little tight brown
jacket and a woolen cap. Her skirt was wet and her boots were muddy. She
stood winking in the light, and panting a little.
"My!" she said, "you live high up, don't you?" Then she stood staring at
me. "Cosma," she said, "how beautiful!"
She dropped into a chair. In that first thing she said she had been the
old Rose. Then she got still and shy, and sat openly looking at my
clothes. She was not more than twenty-one, and the factory life had not
told on her too much. Yet some of the life seemed to have gone out of
her. She talked as if not all of her was there. She sat quietly and she
looked as if she were resting all over. But her eyes were bright and
interested as she looked at my dress.
I said, "People have been good to me, Rose. They gave me these."
"You're different, too," she said, looking hard at me. "You talk
different, too. Oh, dear. I bet you won't do it!"
"Tell me what it is," I said, and put the lace dress over my head.
Public-domain text, read in full here on John Shaqi.
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