A fine energy crept all through him and burned at his
finger-ends. The desire to work seized him deliciously
with the thrill of being understood, a longing to accomplish
to the utmost of his limitations--he must reasonably
suppose his limitations. Sometimes they were close and
real; at this moment they were far off and vague, and
almost dissolved by the force of his joyous intention.
He threw himself mentally upon half-finished canvas that
stood against the wall in Bryanston Street, and spent
ten exalted minutes in finishing it. When it was done he
found it ravishing, and raged because he could not decently
leave for town before four o'clock next day. He worked
off the time before dinner by putting his things together,
and the amiable people had never found him so delightful
as he was that evening. After amusing one of the robust
young ladies for half an hour at prodigious cost, he
found himself comparing their conversation with the talk
he might have had in the time with Elfrida Bell, and a
fresh sense of injury visited him at having been
high-handedly debarred from that pleasure for so many
weeks. It staid with him and pricked him all the way to
town next day. He was a fool, he thought, to have missed
the chance of meeting her upon the opening days of the
London exhibitions; she was sure to have gone, if it were
only to scoff, and her scoffing would have been so amusing
to listen to. He thought gloomily of the impossibility
of finding her in London if she didn't wish to be found,
and he concluded that he really wanted to see her, that
he must see her soon--to show her that article.
The desire had not passed from him three days later, when
the boy from below-stairs brought him up a card. Kendal
was in his shirt-sleeves, and had just established a
relation of great intimacy with an entirely new subject.
Before the boy reached him he recognized with annoyance
that it was a lady's card, and he took it between his
thumb and his palette with the most brutal impatience.
"You are to say--" he began, and stopped. "Show the lady
up," he said in substitution, while his face cleared with
a puzzled amusement, and he looked at the card again. It
read "Miss Elfrida Bell," but the odd thing was down in
one corner, where ran the statement, in small square
type, "_The Illustrated Age_."
There was a sweet glory of May sunlight in the streets
outside, and she seemed to bring some of it in with her,
as well as the actual perfume of the bunch of violets
which she wore in her belt. Her eyes, under the queerest
of hats, were bright and soft, there was a faint color
in her cheeks. Her shapely hands were in gray gloves with
long gauntlets, and in one of them she carried a
business-like little black notebook.
Public-domain text, read in full here on John Shaqi.
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