A Decade of Italian Women, vol. 1 (of 2)Trollope, Thomas Adolphus
History
A Decade of Italian Women, vol. 1 (of 2)
Trollope, Thomas Adolphus
Italy -- Biography; Women -- Biography
Consistently then with all that Catherine distinctly asserts on the
subject, we may believe, that despite her ready credence of her own
environment with the supernatural at every moment of her life, the
only miracle on the occasion of her newly acquired power of writing
was worked by that intensely strong will, which works so many miracles
in this world, and which all Catherine's history shows her to have
eminently possessed.
The same witness further testifies that the above-mentioned Stephen
informed him that Catherine had after that frequently written in his
presence both letters and some sheets of the book[27] she composed in
the vulgar tongue, all which writings he—Stephen—had preserved in the
Carthusian convent of Pontignano near Siena, over which he presided.
And there, according to Girolamo Gigli, "they were known to have been
in existence for many years, until, not long ago," says he, writing in
1707, "they were transported to Grenoble, at the time when the monks of
Pontignano, as well as all those of the Carthusian order, were obliged
to send all their papers to the Grande Chartreuse." And so they vanish
out of our sight.
Further Caffarini testifies, that he saw and had in his own possession
at Venice a prayer, written miraculously, as he says, by Catherine,
with a piece of cinnabar, immediately on waking from a trance; meaning,
apparently, that trance, during which she obtained the faculty of
writing. He gives the prayer in Latin prose. But Gigli says that it
ought to be written in the Tuscan as verse, in the manner in which it
is printed by Crescimbeni in the third volume of his "Volgare Poesia,"
as follows:—
"O Spirito santo, vieni nel mio cuore;
Per la tua potenzia trailo a te, Dio:
E concedemi carità con timore.
Custodimi Christo da ogni mal pensiere,
Riscaldami e rinfiammami del tuo dolcissimo amore,
Sicchè ogni pena mi paja leggiere.
Santo il mio padre, e dolce il mio Signore,
Ora ajutami in ogni mio mestiere,
Christo amore, Christo amore."
This writing, in cinnabar, Caffarini declares is "now," 1411, in the
Dominican nunnery at Venice. But this also has shared the ill fortune
which seems to have attended every scrap of the Saint's writing. For
Gigli states that all his efforts to obtain any tidings of it in his
own time had been in vain.
Public-domain text, read in full here on John Shaqi.
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