A Decade of Italian Women, vol. 2 (of 2)Trollope, Thomas Adolphus
History
A Decade of Italian Women, vol. 2 (of 2)
Trollope, Thomas Adolphus
Italy -- Biography; Women -- Biography
Swift remedy found the exasperated Duke for such domestic treason. And
here Mnemosyne begs to suggest as a subject for artistic presentment
the incident which followed. Scene—the private closet of the Duchess in
the castle of Ferrara. The persons assembled there have been engaged in
that sweet converse so delightful to persons bound together by common
thoughts and feelings in the midst of an unsympathising and hostile
world around them. There is the good Duchess, who has perhaps been
mingling with more serious discourse questionings of things in that
dear distant France, which she never ceased while absent from it to
regret. The elderly lady, somewhat austerely dressed in black to the
throat, with deep ruffle around her neck, and large hanging sleeves to
her dress, is Madame de Soubise, who came with Renée from France, and
who was, as is well known, "lame of the same foot," as the Catholic
writers phrase it. The great heresiarch himself might have been
recognised by those handsome but hard and severe features, the lofty
but not noble forehead, and the bright but domineering eye; but he
could not have been known from habiliments chosen to suit the character
of M. Charles d'Espeville. The Signeurs de Pons and de Soubise may also
have been present. But one other person was assuredly there;—a writer
of obscene French verses, as the orthodox Italians call him,[50] who
had an absurd mania for meddling in theology, and fancying that he
comprehended the original language of the sacred writers, one Clement
Marot,—he was there too, and "assisted Calvin much in saturating the
mind of the Duchess with pestilent doctrine."
[Sidenote: DUCHESS RENÉE IN A SCRAPE.]
"To them, enter" hurriedly and noisily the Duke in high wrath, and at
his heels, opera–stage fashion, a sufficient impersonation of "la force
publique."
A rapid glance of the angry eye indicates to those active officers the
duty in hand. And M. Charles d'Espeville, alias John Calvin, and the
luckless poet turned theologian, are marched off, with a very tolerable
prospect of martyrdom before them. "And as for you, Madame! ... &c."
Calvin and Marot were marched off under escort to Bologna. But the
terrible marital lecture, which it has been left to the competent
reader's imagination to supply, did not so terrify Renée as to prevent
her from promptly and secretly dispatching certain trustworthy
emissaries, who, overtaking the escort on their road,[51] liberated the
prisoners, and set them free to make the best of their way across the
Alps.
This incident made a serious difference in the condition of the
Duchess. Constant suspicion and severity seem to have henceforth made
her life at Ferrara a very unhappy one. And the following lines[52]
addressed by Clement Marot to Marguerite, the sister of Francis I.,
speak touchingly enough the forlorn misery of her life:—
Public-domain text, read in full here on John Shaqi.
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