A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
First, however, let us look at some of the more powerful of the
influences into the midst of which he was born. For a child is born into
the womb of the time, which indeed enclosed and fed him before he was
born. Not the least subtle and potent of those influences which tend to
the education of the child (in the true sense of the word _education_)
are those which are brought to bear upon him _through_ the mind, heart,
judgement of his parents. We mean that those powers which have operated
strongly upon them, have a certain concentrated operation, both
antenatal and psychological, as well as educational and spiritual, upon
the child. Now Shakspere was born in the sixth year of Queen Elizabeth.
He was the eldest son, but the third child. His father and mother must
have been married not later than the year 1557, two years after Cranmer
was burned at the stake, one of the two hundred who thus perished in
that time of pain, resulting in the firm establishment of a reformation
which, like all other changes for the better, could not be verified and
secured without some form or other of the _trial by fire_. Events such
as then took place in every part of the country could not fail to make a
strong impression upon all thinking people, especially as it was not
those of high position only who were thus called upon to bear witness to
their beliefs. John Shakspere and Mary Arden were in all likelihood
themselves of the Protestant party; and although, as far as we know,
they were never in any especial danger of being denounced, the whole of
the circumstances must have tended to produce in them individually, what
seems to have been characteristic of the age in which they lived,
earnestness. In times such as those, people are compelled to think.
And here an interesting question occurs: Was it in part to his mother
that Shakspere was indebted for that profound knowledge of the Bible
which is so evident in his writings? A good many copies of the
Scriptures must have been by this time, in one translation or another,
scattered over the country. [Footnote: And it seems to us probable that
this diffusion of the Bible, did more to rouse the slumbering literary
power of England, than any influences of foreign literature whatever.]
No doubt the word was precious in those days, and hard to buy; but there
might have been a copy, notwithstanding, in the house of John Shakspere,
and it is possible that it was from his mother’s lips that the boy first
heard the Scripture tales. We have called his acquaintance with
Scripture _profound_, and one peculiar way in which it manifests itself
will bear out the assertion; for frequently it is the very spirit and
essential aroma of the passage that he reproduces, without making any
use of the words themselves. There are passages in his writings which we
could not have understood but for some acquaintance with the New
Testament. We will produce a few specimens of the kind we mean,
confining ourselves to one play, “Macbeth.”
Public-domain text, read in full here on John Shaqi.
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