A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
Not long after he went to London, when he was twenty-two, the death of
Sir Philip Sidney at the age of thirty-two, must have had its
unavoidable influence on him, seeing all Europe was in mourning for the
death of its model, almost ideal man. In England the general mourning,
both in the court and the city, which lasted for months, is supposed by
Dr. Zouch to have been the first instance of the kind; that is, for the
death of a private person. Renowned over the civilized world for
everything for which a man could be renowned, his literary fame must
have had a considerable share in the impression his death would make on
such a man as Shakspere. For although none of his works were published
till after his death, the first within a few months of that event, his
fame as a writer was widely spread in private, and report of the same
could hardly fail to reach one who, although he had probably no friends
of rank as yet, kept such keen open ears for all that was going on
around him. But whether or not he had heard of the literary greatness of
Sir Philip before his death, the “Arcadia,” which was first published
four years after his death (1590), and which in eight years had reached
the third edition--with another still in Scotland the following
year--must have been full of interest to Shakspere. This book is very
different indeed from the ordinary impression of it which most minds
have received through the confident incapacity of the critics of last
century. Few books have been published more fruitful in the results and
causes of thought, more sparkling with fancy, more evidently the outcome
of rich and noble habit, than this “Arcadia” of Philip Sidney. That
Shakspere read it, is sufficiently evident from the fact that from it he
has taken the secondary but still important plots in two of his plays.
Although we are anticipating, it is better to mention here another book,
published in the same year, namely, 1590, when Shakspere was
six-and-twenty: the first three books of Spenser’s “Faery Queen.” Of its
reception and character it is needless here to say anything further
than, of the latter, that nowadays the depths of its teaching, heartily
prized as that was by no less a man than Milton, are seldom explored.
But it would be a labour of months to set out the known and imagined
sources of the knowledge and spiritual pabulum of the man who laid every
mental region so under contribution, that he has been claimed by almost
every profession as having been at one time or another a student of its
peculiar science, so marvellously in him was the power of assimilation
combined with that of reproduction.
Public-domain text, read in full here on John Shaqi.
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