"Well then--with the young husband and father who has settled down in
his monotonous, commonplace happiness as in a snail-shell, and at most
takes an occasional journey to Nuremberg--your drawings show unusual
talent, for that you can take my word. I have seen the work of
Hilderbrandt and Werner, and the whole Roman aquarelle club, and assure
you yours would make a sensation among them. So much freedom and
spirited ease, with such grace in the landscapes and _staffage_! And
then to think that this unusual talent is doomed for the next thirty or
forty years to no other expression than an endless variation of the
towers, balconies, vaulted doors, and gabled roofs of a medieval nest
which appears in our world like an excavated German Pompeii--But pardon
me this criticism of your plan of life. I am not fitted to criticise
it. However, as you wish to know the subject of my meditation, it was
this problem: can a noble, liberal, artistic soul be so completely
filled by commonplace family happiness? It must certainly be possible.
Only to me, as I am accustomed to absolute freedom of existence, to
boundless liberty, it is incomprehensible that you, scarcely thirty
years old--"
"You are right," he interrupted, his frank, youthful face suddenly
clouding. "You have expressed something which I often said to myself at
first, but always thrust back again into a secret corner of my heart.
Do you really find that my drawings show power for something greater
and better? At the best I would fall far short of a great artist!
Meanwhile, you know Schiller's poem, 'Pegasus in Harness.' A horse that
suffers itself to be harnessed to the plough, even though it may be of
good blood, proves that it has no wings. But perhaps it might have
served for something better than ploughing. And yet, if you knew--if
only you knew my Christel and the children!"
"I do not for an instant doubt that you have a charming wife and lovely
children, Herr Hans Doppler; and nothing is farther from my thoughts
than to render you suspicious of your domestic happiness. But that you,
being so young, can regard it as final, as something never to be
interrupted, never to be laid aside even temporarily for the sake of a
higher aim--and you were even on the way to the beloved land of art,
and had certainly heard and seen enough of it at the academy to have
some presentiment of the joys awaiting you there--and nevertheless--"
Public-domain text, read in full here on John Shaqi.
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