American fiction -- 19th century; Artists -- Fiction
As they were by this time near to the hotel, others who had been
alarmed by seeing the horses tearing up to the stable door, now
hastily joined them; and last, but not least, Mrs. Mayhew came
panting upon the scene. Van Berg felt the hand of the young lady
trembling in nervous apprehension upon his arm, from which, in her
embarrassment, she forgot to remove it. But the artist did not
fail her, and in answer to Mr. Burleigh's eager questions as to
the cause of the accident, explained all so plausibly, and in such
a matter-of-fact manner as left little more even to be surmised.
His brief and prosaic history of the affair concluded with the
following implied tribute to his companion, which still further
relieved her from fear of ridicule:
"Miss Mayhew," he said, "instead of jumping out, after the frantic
terror-blinded manner of most people, remained in the stage and
so has escaped, I trust, with nothing worse than a slight lameness
caused by the violent motion of the vehicle. I will now resign her
to your care, Mr. Stanton, and I am glad to believe that the occasion
will require the services of the wheelwright and harness-maker only,
and not those of a surgeon," and lifting his hat to Mrs. Mayhew
and her daughter he bowed himself off the scene.
Ida, leaning on the arm of her cousin, limped appropriately to her
room, whither she had her dinner sent to her, more for the purpose
of gaining time to compose her nerves than for any other reason.
The impression that she had behaved courageously in peril was
rapidly increased as the story was repeated by one and another, and
she received several congratulatory visits in the afternoon from
her lady acquaintances; and when she came down to supper she found
that she was even a greater heroine than Miss Burton had been. In
answer to many sympathetic inquiries, she said that she "felt as
well as ever," and she tried to prove it by her gayety and careful
toilet.
But she was decidedly ill at ease. Her old self-complacency was
ebbing away faster than ever. From the time that it had first been
disturbed by the artist's frown in the concert garden, she had been
conscious of a secret and growing self-dissatisfaction.
It seemed to be this stranger's mission to break the spell vanity
and flattery had woven about her. The congratulations she was now
receiving were secured by a fraudulent impression, if not by actual
falsehood, and she permitted this impression to remain and grow.
The one, who above all others she most feared and disliked, knew
this. In smilingly accepting the compliments showered upon her
from all sides she felt that she must appear to him as if receiving
stolen goods, and she believed that in his heart he despised her
more thoroughly than ever.
Public-domain text, read in full here on John Shaqi.
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