A Five Years' Residence in Buenos Ayres, During the years 1820 to 1825: Containing Remarks on the Country and Inhabitants; and a Visit to Colonia Del SacramentoLove, George Thomas
History
A Five Years' Residence in Buenos Ayres, During the years 1820 to 1825: Containing Remarks on the Country and Inhabitants; and a Visit to Colonia Del Sacramento
Love, George Thomas
Buenos Aires (Argentina) -- Description and travel; Colonia del Sacramento (Uruguay) -- Description and travel
The Buenos Ayreans are passionately fond of dancing. Their evening hours
are given to this pastime: in their houses, daughters, mothers, nay,
grandmothers, will enjoy it with all the spirit of youth. To me it is
the most gratifying sight--a proof that age is not always accompanied by
moroseness. I have been delighted to see father, mother, daughters, and
sons, dancing with that apparent happiness, as if life had no other
object but enjoyment.
Walking in the environs of the town, one evening, a family dance
attracted my attention; and I looked through the windows. The ladies saw
me, and the master of the house came out, entreating me to enter, with
the Spanish compliment, "that his house and family were entirely at my
service." He seemed disappointed at my declining the invitation. These
evening family dances are very fascinating.
It is said, a Frenchman, from his gaiety, never gets old; the
observation applies with equal truth to this people. In our peculiar
England, education, climate, and the state of society, render its
inhabitants more thoughtful and care-worn: we regard as frivolity what
other nations consider the essentials of existence; yet, in general, we
are not the gloomy people foreigners would paint us. We can love, and
hate, too, with all or more of the fervour ascribed to warmer climes.
Of the dances, some are pretty. The steps of the Spanish dances have a
great sameness. The ladies appear graceful; but, indeed, when is it they
do not?
The _cielito_, or little heaven, is opened by the parties chaunting a
part of a song all the time in movement, and smacking their fingers
together; it then proceeds to the figure.
The _contre-danse_ is involved in intricacies and positions rather
difficult to a stranger; twisting the arms, and running in and out,
like the game of Thread-my-needle, or, excepting the tumbling part, the
comic dance in Mother Goose. The English contre-danse has more life and
variety both in music and figure.
Waltzing is a favourite: they have not read the lectures of our
moralists upon it, but indulge in the mazes of this luxurious dance.
The minuet dance here is, I think, tame and ungraceful.
The piano forte is the favourite musical instrument; and every
well-educated young lady is supposed to possess some knowledge of it.
I have heard them perform with great taste and skill. The young and
interesting daughter of Don Cornelius Saavedra, Doña Dominga, I thought,
excelled; and, with instruction, would be a proficient. This young lady,
with a countenance just "budding into beauty," has talents, which, if
properly cultivated, will adorn society. Her father, Don Cornelius, was
the first Director of the Province after the Revolution, and one of the
old and respectable families. His manners are very pleasing: in person,
he much resembles a British general officer. Like many others, he has
forsaken the sword for the ploughshare, and resides upon his estate,
ninety miles from town, on the banks of the Parana.
Public-domain text, read in full here on John Shaqi.
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