A Flat Iron for a Farthing; or, Some Passages in the Life of an only SonEwing, Juliana Horatia
General
A Flat Iron for a Farthing; or, Some Passages in the Life of an only Son
Ewing, Juliana Horatia
Boys -- Juvenile fiction; Children's stories
I slipped a little to one side, and took up a tool and a bit of
leather with a pretence of working, hoping to be out of sight, and
yet to be able to look at the little white-beavered fairy, for whom my
fancy was in no way abated. But her keen-eyed sister saw me still, and
her next remark rang out with uncompromising distinctness--
"He's in the shop still. He's working. He must be a shop-boy!"
I dropped the tools, and rushed away to my sitting-room. My
mortification was complete, and it was of a kind that Rubens could not
understand. Fortunately for me, he simply went with my humour, without
being particular as to the reason of it, like the tenderest of women.
A day or two afterwards I went out with Rubens and Jemima Buckle for a
walk. Our way home lay through some flat green meads, crossed by a
stream, which, in its turn, was crossed by a little rustic bridge. As
we came into these fields we met a man whose face seemed familiar,
though I could not at first recall where I had seen him. Afterwards I
remembered that he was the tinsmith, and Jemima stayed to chat with
him for a few minutes, but Rubens and I strolled on.
It seemed an odd coincidence that, a few seconds after meeting the
tinsmith, I should meet the little white-beavered lady. She was
crossing the bridge. Her sister was not with her, nor the donkey, nor
the man-servant. She was walking with a nurse, and she carried a big
doll in her arms. The doll, as I have said before, was "got up"
wonderfully like its mistress. It had a miniature coat and cape and
frills, it had leggings, it had a white plush bonnet (so my wife
enables me to affirm), it had hair just the colour of the little
lady's locks.
As she crossed the bridge, she seemed much pleased by the running of
the water beneath her feet, and saying, "Please let Dolly 'ook," in
her pretty broken tones, she pushed her doll through the rustic work,
holding it by its sash. But, alas! the doll was heavy, and the sash
insecurely fastened. It gave way, and the doll plunged into the
stream.
Once more the sweet little face was convulsed by a look of terror and
distress. As the doll floated out on the other side of the bridge, she
shrieked and wrung her hands. As for me, I ran down to the edge of the
stream, calling Rubens after me, and pointing to the doll. Only too
glad of an excuse for a plunge, in he dashed, and soon brought the
unfortunate miss to shore by one of her gaitered legs. It was with
some triumph that I carried the dripping doll to its little mistress,
and heard the nurse admonish her to--
"Thank the young gentleman, my dear."
I have often since heard of faces "like an April sky," but I never saw
one which did so resemble it in being by turns bright and overcast,
with tears and smiles struggling together, and fear and pleased
recognition, as the face of the little blonde in the white beaver
bonnet. It was she who held out her hand this time, and as I took it
she said, "'ank you 'erry much."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account