A Full Enquiry into the Nature of the Pastoral (1717)Purney, Thomas
General
A Full Enquiry into the Nature of the Pastoral (1717)
Purney, Thomas
Pastoral poetry
But if this passage is too Simple, 'tis for Tragedy so, not for
Pastoral; and because _DESDEMONA_ was a Senators Daughter, and Educated
in so polite a place as _VENICE_; but in Pastoral, I think, we may
Introduce a Character so Young, Simple and Innocent, that there is no
Thought so Simple but will square with it; at least, we have no Instance
of any such one as yet. The Simplicity of this Scene would be inimitable
for Pastoral; and I think, it shows as great if not a greater Genius,
in the Writing it, than any one in _SHAKESPEAR_. But a Scene so truly
Simple and Innocent cannot well be represented. Besides, what is best
writ is most open to the Ridicule of little Genius's; And more, I doubt,
look upon this Scene in _OTHELLO_ as Comedy, than have a taste of that
sweet Simplicity, that is in it, if we consider the Sentiments only in
themselves.
Yet must we not carry the Reflection too far, of Pastoral-Writers having
no such thing as the Simple in any of their Thoughts, for there
are passages in Mr. _PHILIPS Pieces_ truly Simple. And 'tis worthy
Observation how beautiful a figure they make, tho' we don't consider
'em as being in a Pastoral. Such is the celebrated one, contain'd in the
last of these Lines.
_I smooth'd her Coats, and stole a silent Kiss:
Condemn me Shepherds if I did amiss_.
_Phllips Past_. 6.
But we have greatly more Simple Thoughts in other Pieces than in
Pastorals. The finest of all which, is this famous one in _OTHELLO_.
_Why I should fear I know not,
Since Guiltiness I know not: But yet I feel I fear_.
Yet need we not much wonder at the scarcity of these Simple Thoughts;
since there is nothing requires so great a Genius as finely to touch
the SIMPLE; and the greatest Genius's never attempt Pastoral; it being
a Form so mean, little and trifling, without the Ornaments of Poetry,
FABLE, MANNERS, MORAL, &c. and of a confused Imperfect Nature.
CHAP. VII.
_Of COMPARISONS in Pastoral. And how much our modern Pastoral-Writers
have fail'd therein_.
SIMILIES in Pastoral must be managed with an exceeding deal of Care, or
they will be faulty. As a Poet may range Nature for Comparisons; this
gives a Pastoral-Writer a very easy Opportunity of introducing rural
Thoughts. _VIRGIL_ therefore, and those Swains who have written
Pastorals more by Art and Imitation than Genius, generally heap three
or four SIMILIES together for the same thing; and which is of no Moment;
nor wanted any Comparison.
As I have hinted that _Theocritus_ had a Genius capable of writing a
perfect Set of Pastorals, his Similies are infinitely the best of any
Swain's. The chief Rule, I think, to be observ'd is (if Rules can be
given for such Things as these) that SIMILIES be contain'd in three or
four Words. As this of _PHILIPS_'s.
_Whilon did I, all as this_ Pop'lar _fair,
Up-raise my heedless Head devoid of Care_, &c.
Or at most they ahould not exceed a Line. As this is a very Beautiful
one In the same Author. And also in his 1st Pastoral.
Public-domain text, read in full here on John Shaqi.
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