We hold that the main essential of the beds of the House Garden is “finish.” They must look well from the day they are planted in the third week of May until they are removed in the last week of October. We do not want that barren interval of a month or six weeks when the tulips have been lifted and their successors are growing. We do not want a single day of empty beds or colourless beds; we do not want to see a square inch of the soil. We want colour and contour under our eyes from the first day of March until the end of October, and we get it. We have no trouble with dead leaves or drooping blooms--no trouble with snails or slugs or leather-jackets. Every bed is presentable for the summer when the flowers that bloom in the spring have been removed; the effect is only agreeably diversified when the begonias show themselves in July. Is the sort of thing that I have described to be called carpet-bedding? I know not and I trow not; all that I know is that it is the sort of thing that suits us. Geometry is its foundation and geometry represents all that is satisfying, because it is Nature's closest ally when Nature wishes to produce Beauty. Almost every flower is a geometrical study. Let rose bushes ramp as they may, the sum of all their ramping is that triumph of geometry, the rose. Let the clematis climb as unruly as it may, the end of its labours is a geometrical star; let the dandelion be as disagreeable as it pleases--I don't intend to do so really, only for the sake of argument--but its rows of teeth are beautifully geometrical, and the fairy finish of its life, which means, alas! the magical beginning of a thousand new lives, is a geometrical marvel. But I do not want to accuse myself of excusing myself over much for my endeavour to restore a fashion which I was told had “gone out.” I only say that if what I have done in my stone-edged geometrical beds is to be slighted because some fool has called it carpet-bedding, I shall at least have the satisfaction of knowing that I have worked on the lines of Nature. Nature is the leader of the art of carpet-bedding on geometrical lines. Nature's most beautiful spring mattress is a carpet bed of primroses, wild hyacinths, daffodils, and daisies--every one of them a geometrical marvel. As a matter of fact the design of every formal bed in our garden is a copy of a snow crystal.