Perhaps it was just as well that the curtain was falling on the ballet
when Henry and Geraldine took possession of their stalls in the superb
Iberian auditorium of the Alhambra Theatre. The glimpse which Henry had
of the _prima ballerina assoluta_ in her final pose and her costume, and
of the hundred minor choregraphic artists, caused him to turn
involuntarily to Geraldine to see whether she was not shocked. She,
however, seemed to be keeping her nerve fairly well; so he smothered up
his consternation in a series of short, dry coughs, and bought a
programme. He said to himself bravely: 'I'm in for it, and I may as well
go through with it.' The next item, while it puzzled, reassured him. The
stage showed a restaurant, with a large screen on one side. A lady
entered, chattered at an incredible rate in Italian, and disappeared
behind the screen, where she knocked a chair over and rang for the
waiter. Then the waiter entered and disappeared behind the screen,
chattering at an incredible rate in Italian. The waiter reappeared and
made his exit, and then a gentleman appeared, and disappeared behind the
screen, chattering at an incredible rate in Italian. Kissing was heard
behind the screen. Instantly the waiter served a dinner, chattering
always behind the screen with his customers at an incredible rate in
Italian. Then another gentleman appeared, and no sooner had he
disappeared behind the screen, chattering at an incredible rate in
Italian, than a policeman appeared, and he too, chattering at an
incredible rate in Italian, disappeared behind the screen. A fearsome
altercation was now developing behind the screen in the tongue of Dante,
and from time to time one or other of the characters--the lady, the
policeman, the first or second gentleman, the waiter--came from cover
into view of the audience, and harangued the rest at an incredible rate
in Italian. Then a disaster happened behind the screen: a table was
upset, to an accompaniment of yells; and the curtain fell rapidly, amid
loud applause, to rise again with equal rapidity on the spectacle of a
bowing and smiling little man in ordinary evening dress.
This singular and enigmatic drama disconcerted Henry.
'What is it?' he whispered.
'Pauletti,' said Geraldine, rather surprised at the question.
He gathered from her tone that Pauletti was a personage of some
importance, and, consulting the programme, read: 'Pauletti, the
world-renowned quick-change artiste.' Then he figuratively kicked
himself, like a man kicks himself figuratively in bed when he wakes up
in the middle of the night and sees the point of what has hitherto
appeared to be rather less than a joke.
'He's very good,' said Henry, as the excellence of Pauletti became more
and more clear to him.
'He gets a hundred a week,' said Geraldine.
Public-domain text, read in full here on John Shaqi.
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