A guide book of art, architecture, and historic interests in Pennsylvania
History
A guide book of art, architecture, and historic interests in Pennsylvania
Architecture -- Pennsylvania; Art -- Pennsylvania; Historic buildings -- Pennsylvania; Pennsylvania -- Guidebooks; Pennsylvania -- History
JOHN GRAVER JOHNSON MUSEUM OF PAINTINGS, 510 South Broad Street, left by
bequest April, 1917, to the City of Philadelphia, is open to the public;
throughout Europe and America this vast collection of old and modern
masters is famous for extent and merit. “No other American collection
has so wide a range and so even a quality,” says F. Mason Perkins; it
contains scores of examples which could not be duplicated at any price.
Noted for the completeness of different schools of painting.
PHILADELPHIA SCHOOL OF DESIGN FOR WOMEN, southwest corner of Broad and
Master Streets; first industrial art school in this country; similar to
the “Ecoles Professionelles des Femmes,” in Paris; was founded in 1844
by Mrs. Sarah Peters, the American wife of the British Consul in
Philadelphia, in her own house; later, the Franklin Institute assumed
charge of the classes until 1853, when it was incorporated, and a Board
of Directors elected. Its aim is to put art students in touch with
business demands, as well as to cultivate, to the highest degree, their
artistic ability. The Normal Art Course embodies all the special studies
required by modern educators for teachers of art and design, and with
courses in the fine arts, illustration, and costume illustration; has
trained many women, now earning handsome emoluments and winning
distinction. The residence on Broad Street, forming entrance to the
school, which occupies large buildings in the rear, was the home of
Edwin Forrest, a famous tragedian; the fine gallery which he erected to
house his collection of paintings, now at the Forrest Home for Actors at
Holmesburg, is used for annual exhibitions of the school’s painting
classes. Edwin Forrest died here in 1872 and John Sartain in 1897; John
Sartain was celebrated as a mezzotint engraver, and lived here with his
daughter, Miss Emily Sartain, then principal of the school, herself a
skilled painter, and engraver in mezzotint; who with her well chosen
faculty of eminent artists, carried to a prosperous fulfilment Mrs.
Peters’ initiative effort.
Public-domain text, read in full here on John Shaqi.
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