PENNSYLVANIA SOCIETY OF MINIATURE PAINTERS, organized, 1901. Annual fall exhibition, Pennsylvania Academy of the Fine Arts. PHILADELPHIA CHAPTER, AMERICAN INSTITUTE OF ARCHITECTS, 1301 Stephen Girard Building; organized, 1869. THE PHILADELPHIA SKETCH CLUB (men), 235 South Camac Street, organized, 1860. Annual fall exhibitions of members’ work; also special exhibitions. PHILADELPHIA WATER-COLOR CLUB, Pennsylvania Academy of the Fine Arts, annual international exhibitions; also Traveling exhibitions of members’ work. PLASTIC CLUB, women, 247 South Camac Street; organized, 1897. Annual and special exhibitions; lectures, and sketch classes. T-SQUARE CLUB, 204 South Quince Street, founded, 1881. Annual architectural exhibition; drafting; decorative painting; modeling; and architecture in coöperation with Society of Beaux-Arts Architects, New York City. The D’ASCENZO STUDIOS, for Stained Glass, 1604 Summer Street, founded twenty years ago, include designing; painting; firing; and glazing; work is begun and completed, in both modern and antique, with preference for the antique school, for architectural fitness and conventionality; also glass mosaic and mural decoration. D’Ascenzo’s art may be seen in many important churches and buildings in this country; in the Chapel at Valley Forge, and in Philadelphia may be mentioned St. Mark’s Protestant Episcopal Church, Frankford; St. James’ Protestant Episcopal Church, Twenty-second and Walnut Streets; St. Patrick’s Roman Catholic Church, Twentieth and Locust Streets; Synagogue Rodeph Shalom, Philadelphia. WILLIAM WILLET AND ANNIE LEE WILLET STUDIOS, FOR STAINED GLASS, 226 South Eleventh Street, formerly of Pittsburgh. While all the world is deploring the loss of the magnificent old glass in the cathedrals of Europe, here the art of fused glass has been raised to such perfection that their great windows have all that the old work has, of depth, glow, and shadow, under modern conditions of stability; among their notable windows are, the Sanctuary Window, West Point Military Chapel, New York; Proctor Hall, the Graduate School, Princeton, New Jersey, great west window; many in the churches and public buildings of Pittsburgh, Chicago and elsewhere; in and near Philadelphia, in Summit Presbyterian Church, Carpenter and West View Streets, Germantown; St. Michael’s Sanctuary window, High Street, Germantown; John Chambers Memorial Church; The Buchanan Memorial, St. Nathaniel’s Church, Kensington; the Harrison Memorial; Holy Trinity Church, Nineteenth and Walnut; the Leta Sullivan in the Assumption, Strafford. Notable private art collections in Philadelphia, that may sometimes be seen by writing for permit, which for variety and value, have few peers are: [Illustration: THE TRAGIC MUSE From the Edward Hornor Coates Memorial Collection _Painted by Violet Oakley_ _Courtesy of the Pennsylvania Academy of the Fine Arts_]