A Guide to Peterborough Cathedral: Comprising a brief history of the monastery from its foundation to the present time, with a descriptive account of its architectural peculiarities and recent improvements; compiled from the works of Gunton, Britton, and original & authentic documentsPhillips, George S. (George Searle)
History
A Guide to Peterborough Cathedral: Comprising a brief history of the monastery from its foundation to the present time, with a descriptive account of its architectural peculiarities and recent improvements; compiled from the works of Gunton, Britton, and original & authentic documents
Phillips, George S. (George Searle)
Peterborough Cathedral -- Guidebooks; Peterborough Cathedral -- History
"The style of these spires, with the parapets and pinnacles, marks them
out as a later work than the turrets beneath; and we may infer from the
similarity of their details to those of the porch, that they formed a
part of the repairs and alterations which the whole front appears to
have undergone when the appendage was inserted; and when the central
window of the nave was enlarged, and that, and the others which now
enliven the inner wall, were filled with perpendicular tracery. The
porch is vaulted with stone, and is entered by an obtuse arch, over
which is an elliptical window, divided by mullions into six lights
under cinquefoil arches, which are again subdivided in the head into
lesser arches.
"The spandrils formed by the curve of the arch, and the base of the
window, are enriched with circles, clasping shields of arms, and
rosettes with other devices. The arches and windows are bounded by
buttresses, which are broken by offsets and empannelled with niches.
Besides these, the porch is flanked with staircases, one on each side,
forming three parts of an octagon, and leading to an apartment now used
as a library. The summit is closed with an embattled parapet, having a
pediment at each end, and one in the centre. The surface of the walls
is enriched with canopied niches, pilasters, brackets, panel work, and
string courses in all the wildness and profusion which distinguish the
last stage of gothic architecture.
"Besides the arch before mentioned, the porch has two smaller arches,
north and south, parallel with the piazza formed by the great arches
and piers of the front, and keeping up the communication with its
opposite extremities. Over these also are mullioned windows with blank
interstices.
"The great window of the nave, the outer arch of which is obviously an
alteration from the original design, is divided by mullions into five
lights,--those of the side aisles into three lights, both under
cinquefoil arches, and the lancet windows of the transepts into two
lights, under trefoil arches: these windows are parted, each by an
embattled transome into an upper and lower range of lights, and the
heads filled with subordinate tracery.
"The door-ways beneath are exceedingly rich, and in point of execution
and delicacy of detail perhaps the finest portions of the front. The
central door-way is divided by a pillar, rising from a carved
cylindrical base into two smaller arches; but the whole design and
finish cannot be made out, in consequence of the introduction of the
porch, the foundation and butments of which are built against it.
Public-domain text, read in full here on John Shaqi.
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