A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
So little now remains of the ancient domestic architecture of Rome that
one is forced to study this subject from written descriptions collected
from the works of various historians, poets, and other writers. But
from what we know we may conclude that the villas and country-houses
were so constructed as to be full of comfort, and suited to the uses
for which they were built, without too much regard to the symmetry
of the exteriors. The interior convenience was the chief thing to
be considered, and when finished they must have often resembled a
collection of buildings all joined together, of various heights and
shapes; but within they were adapted to the different seasons, as
some rooms were made for being warm, while others were arranged for
coolness; the views from the windows were also an important feature,
and, in short, the pleasure of the people living in them was made the
first point to be gained, rather than the impression upon the eye of
those who saw them from without.
There was great luxury and elegance in the palaces of the noble classes
in ancient Rome. The home of Diocletian at Spalatro was one of the most
famous Roman palaces, and its ruins show that it was once magnificent.
This palace was divided by four streets which ran through it at right
angles with each other and met in its centre. Its entrances were
called the Golden, Iron, and Brazen Gates. Its exterior architecture
was simple and massive, as it was necessary that it should serve as a
fortress in case of an attack. Its principal gallery overlooked the
sea; it was five hundred and fifteen feet long and twenty-four feet
wide, and was famous for its architectural beauty and for the views
which it commanded.
[Illustration]
CHAPTER II.
CHRISTIAN ARCHITECTURE.
A.D. 328 TO ABOUT 1400.
I have written more in detail concerning Ancient architecture than I
shall do of that of later times, because it is best to be thorough in
studying the beginnings of things; then we can make an application of
our knowledge which helps us to understand the results of what has gone
before, just as we are prepared for the full-blown rose after we have
seen the bud. Or, to be more practical, just as we use the simplest
principles of arithmetic to help us to understand the more difficult
ones; sometimes we scarcely remember that in the last lessons of the
book we unconsciously apply the first tables and rules which were so
difficult to us in the beginning.
I shall not try, because I have not space, to give a connected account
of Christian architecture, but I shall endeavor to give such an outline
of its rise and progress in various countries as will make a good
foundation for the knowledge you will gain from books which you will
read in future.
Public-domain text, read in full here on John Shaqi.
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