A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
The cathedral of Monza is very interesting from its historical
associations. Here is deposited the famous iron crown which was
presented to Theodolinda by Pope Gregory I. This crown is made of a
broad band of gold set with jewels, and the iron from which it is
named is a narrow circlet inside, said to have been made from one
of the nails used in the crucifixion of Christ, and brought from
Jerusalem by the Empress Helena. This crown is kept in a casket which
forms the centre of the cross above the high altar in the cathedral
of Monza; it was carried away in 1859 by the Austrians; at the close
of the Italo-Prussian war, in 1866, the Emperor of Austria gave it to
Victor Emmanuel, then King of Italy. This crown has been used at the
coronation of thirty-four sovereigns; among them were Charlemagne,
Charles V., and Napoleon I. The latter wore it at his second coronation
as King of the Lombards in 1805. He placed it on his head himself,
saying, "God has given it to me, woe to him who touches it!"
There are few secular buildings of this period remaining in Italy, and
Romanesque architecture endured but a short time, for it was almost
abandoned at the time of the death of Gregory the Great, in 604. During
the next four and a half centuries the old styles were dying out and
the Gothic order was developing, but cannot be said to have reached any
high degree of perfection before the close of the eleventh century.
GOTHIC ARCHITECTURE.
It is difficult to speak concisely of Gothic architecture because there
is so much that can be said of its origin, and then it has so extended
itself to all parts of the world as to render it in a sense universal.
Perhaps Fergusson makes it as simple as it can be made when he divides
Europe by a line from Memel on the shores of the Baltic Sea to Spalatro
on the Adriatic, and then carries the line westward to Fermo and
divides Italy almost as the forty-third parallel of latitude divides
it. He then says that during the Middle Ages, or from about the seventh
to the fifteenth centuries, the architecture north and west of these
lines was Gothic; south and east it was Byzantine, with the exception
of Rome, which always remained individual, and a rule unto herself.
There was a very general belief in all Christian lands that the world
would end in the year 1000 A.D., and when this dreaded period had
passed without that event happening, men seem everywhere to have been
seized with a passion for erecting stone buildings. An old chronicler
named Rodulphe Glaber, who died in 1045 A.D., relates that as early
as the year 1003 A.D. so many churches and monasteries of marble were
being erected, especially in France and Italy, "that the world appeared
to be putting off its old dingy attire and putting on a new white robe.
Then nearly all the bishops' seats, the churches, the monasteries, and
even the oratories of the villages were changed for better ones."
Public-domain text, read in full here on John Shaqi.
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