A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
All this, however, was but the supply of the raw material for
Egyptian, Assyrian, and Phœnician industries. There is no evidence
that up to the very last days of antique civilization the inhabitants
of Hindostan with all their depths and originality of thought ever
exercised such influence upon their neighbours as could have made
itself felt as far as Greece. The grand lyric poetry of the Vedas, the
epics and dramas of the following epoch, the religious and
philosophical speculations, those learned grammatical analyses which
are now admired by philologists, all the rich and brilliant
intellectual development of a race akin to the Greeks and in many ways
no less richly endowed, remained shut up in that basin of the Ganges
into which no stranger penetrated until the time of the Mohammedan
conquest. Neither Egyptians, Arabs nor Phœnicians reached the true
centres of Hindoo civilization; they merely visited those sea-board
towns where the mixed population was more occupied with commerce than
with intellectual pursuits. The conquerors previous to Alexander did
no more than reach the gates of India and reconnoitre its approaches,
while Alexander himself failed to penetrate beyond the vestibule.
Let us suppose that the career of the Macedonian hero had not been cut
short by the fatigues and terrors of his soldiers. So far as we can
judge from what Megasthenes tells us of Palibothra, the capital of
Kalaçoka, the most powerful sovereign in the valley of the Ganges in
the time of Seleucus Nicator, the Greeks would not, even in that
favoured region, have found buildings which they could have studied
with any profit, either for their plan, construction, or decoration.
Recent researches have proved Megasthenes to be an intelligent
observer and an accurate narrator, and he tells us that in the richest
parts of the country the Hindoos of his time had nothing better than
wooden houses, or huts of pisè or rough concrete. The palace of the
sovereign, at Palibothra, impressed the traveller by its situation,
its great extent, and the richness of its apartments. It was built
upon an artificial, terraced mound, in the midst of a vast garden. It
was composed of a series of buildings surrounded by porticos, which
contained large reception halls separated from one another by
courtyards in which peacocks and tame panthers wandered at will. The
columns of the principal saloons were gilt. The general aspect was
very imposing. The arrangements seem to have had much in common with
those of the Assyrian and Persian palaces. But there was one capital
distinction between the two; at Palibothra the residence of the
sovereign, like those of his subjects, was built of wood. With its
commanding position, and the fine masses of verdure with which it was
surrounded, it must have produced a happy and picturesque effect, but,
after all, it was little more than a collection of kiosques.
Architecture, worthy of the name, began with the employment of those
Public-domain text, read in full here on John Shaqi.
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