A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Another difficulty has to be noticed; classic literature does little or
nothing to help us in filling up these voids and dissipating the
obscurities they cause. The Greeks were guilty of many errors when they
attempted to understand and describe foreign religions, but their relations
with the Egyptians and Phoenicians were so prolonged, and, towards the end,
so intimate, that at last they did succeed in grasping some of the doctrine
taught in the sanctuaries of Heliopolis and Thebes, of Byblos and
Hierapolis. With their lively intellects they could hardly frequent the
temples, examine the sacred images, and question the priests as to the
national rites and ceremonies without discovering at least a part of the
truth. It was not so with Chaldaea. Babylon was too far off. Until the time
of Alexander's conquests the boldest travellers did no more than glance
into its streets and monumental buildings, and by that time Nineveh had
long ceased to exist. It was only under the first of the Seleucidae, when a
Macedonian kingdom was established in the centre of Mesopotamia, that the
curiosity of the Greeks led them to make inquiries similar to those they
had pursued for some three centuries in the valley of the Nile. We cannot
doubt that this desire for information arose among the followers of those
princes themselves; many of them were very intelligent men; and when
Berosus determined to write his history in Greek, he may have wished to
answer the questions asked in his hearing by the Greek writers and
philosophers; by those Alexandrians who were not all at Alexandria.
Unfortunately, nearly the whole of his work has been lost.
At the end of a century and a half Babylon shook off Hellenism, and
Mesopotamia fell into the hands of the Parthians. These people affected, in
some degree, the poetry and arts of Greece, but at bottom they were nothing
more than Oriental barbarians. Their capital, Ctesiphon, seems never to
have attracted learned men, nor ever to have been a seat of those inquiries
into the past of the older races in which the cultured cities of the Greek
world took so great a pleasure. When Rome became the heir of Greece and the
perpetuator of her traditions, we may believe that, under Trajan, she set
about establishing herself in the country; but she soon found it necessary
to withdraw within the Euphrates, and it was her loss when the Parthians
fell from power to be succeeded in the lordship of Mesopotamia by the
Sassanids.[82]
Public-domain text, read in full here on John Shaqi.
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