A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Throughout the circumference of the _enceinte_ the curtain
was strengthened by rectangular flanking towers having a front of
forty-five, and a salience of rather more than thirteen feet.[85]
These were separated from each other by intervals of ninety feet,
or double the front of a tower. Only the lower parts of the towers
are now in existence, and we have to turn to the representations of
fortresses in the reliefs before we can restore their super-structures
with any certainty. In these sculptures what we may call the head of
the tower equals on an average from a fourth to a fifth of the height
of the curtain. By adopting an elevation half way between these two
proportions, M. Place has given to his towers a total height of 105
feet to the top of their crenellations, a height which is near enough
to the 100 Grecian feet attributed by Diodorus to the Nineveh walls.
The description borrowed by that writer from Ctesias, is, as we have
shown, in most respects quite imaginary, but it may have contained this
one exact statement, especially as a height of about 100 feet seems to
have been usually chosen for cities of this importance.
The parapets of the towers were corbelled out from their walls and
pierced with loopholes, as we know from the reliefs. Each doorway was
flanked by a pair of towers, the wall between them being only wide
enough for the entrance. Our Plate V. will give a very exact idea of
the general appearance of the whole _enceinte_. Including those of
the palace mound, it has been calculated that the city of Sargon had
one hundred and sixty-seven towers. Was there a ditch about the wall
like that at Babylon? We are tempted to say yes to this, especially
when we remember the statement of Herodotus that the earth taken from
the ditch served to afford materials for the wall. Moreover such a
ditch could have been easily kept full of water by means of the two
mountain streams that flow past the mound. But the explorers tell us
they could find no trace of such a ditch.[86] If it ever existed it has
now been so completely filled up that no vestige remains.
Upon each of its south-eastern, south-western and north-eastern faces
the city wall was pierced with two gates. One of these, decorated
with sculptures and glazed bricks, is called by Place the _porte
ornée_, or state entrance, the other, upon which no such ornament
appears, he calls the _porte simple_. On the north-western face
there is only a _porte simple_, the palace mound taking the place
of the state gateway. The plinth and the lower courses of burnt brick
are continued up to the arches of these gates; the latter are also
raised upon a kind of mound which lifts them about eight and a half
feet above the level of the plain.
In size and general arrangement these gateways were repetitions of
each other. Our Figs. 50 in the first volume, 24 and 25 in this, show
severally the present condition, the plan and the restored elevation of
a _porte simple_.
Public-domain text, read in full here on John Shaqi.
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