A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
The second objection is of still greater interest, because it has
practically supplied a shibboleth in the Classic-Romantic debate
[Sidenote: _Archaism._] up to the present moment. It is the objection to
archaic, foreign, and otherwise inusitate words, which Aristotle seems
to apply even to Homeric terms, not as poetic but as obsolete, just as
other good persons in times nearer our own have applied the same to
Chaucerisms and the like. The sounder doctrine, of course, is that
_nullum tempus occurrit regi_ in this transferred sense also—that what
the old kings of literature have stamped remains current for ever, and
what the new kings of literature stamp takes currency at once.
Almost as interesting is the third punishment-cell, in which epithets
too long, too many, or out of place are bestowed. The [Sidenote: _Stock
epithet and periphrasis._] two habits which seem to be mainly aimed at
here (Alcidamas is still the chief awful example) are the use in prose
of the poetical perpetual epithet (“white milk” is the example chosen)
and the undue tendency to periphrasis, which, curiously enough, reminds
one of the besetting sin of the extreme “Classical” school of the last
century.
Most puzzling of all are the examples pilloried for impropriety in the
fourth class, the unfortunate Alcidamas being rebuked for calling
philosophy “the intrenchment of law,” and [Sidenote: _False metaphor._]
the Odyssey a “mirror of human life.” The most, thoroughgoing
Aristotelians have given up this last criticism with an acknowledgment
that ancient and modern tastes differ; while Mr Cope even suggests that
Aristotle “winked,” not nodded, when he wrote the whole passage. I do
not so easily figure to myself a winking Stagirite.
Public-domain text, read in full here on John Shaqi.
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism — John Shaqi
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