A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
they paid but four pounds at the uttermost by the yeare, * * * whereas
in my time," says Harrison, "although peradventure foure pounds of old
rent be improved to fourtie, fiftie, or an hundred poundes, yet will
the farmer as another palme or date tree, thinke his gaines verie small
toward the end of his terme, if he had not six or seven yeares rent
lieing by him, therewith to purchase a new lease, beside a faire
garnish of pewter on his cupboard, with so much in od vessell going
aboute the house, three or four feather beds, so manie coverlids and
carpets of tapestrie, a silver salt, a bowle for wine * * * and a
dozzen of spoones to furnish up the sute."[42] The country gentleman
sitting in his hall, hawk on hand, with his hounds about him, made a
profuse hospitality his chief pride, and out-door sports the resource
of his leisure and conversation. Greek and Latin were gradually making
their way into his store of knowledge, hitherto limited to the romances
and chronicles. But as Ascham complained, there was little sweetness to
flavor his cup of learning. "Masters for the most part so behave
themselves," said Peacham, "that their very name is hatefull to the
scholler, who trembleth at their coming in, rejoyceth at their absence,
and looketh his master (returned) in the face, as his deadly
enemy."[43]
The amusements of the rural population partook of the character of
material prosperity and material enjoyment which were so prominent in
Elizabeth's reign. There is no sign of the prevailing improvement in
the condition of men more suggestive than the effervescence of spirits
which broke loose on every holiday and at every festival. On the first
day of May "the juvenile part of both sexes are wont to rise a little
after midnight, and walk to some neighboring wood, accompany'd with
music and the blowing of horns, where they break down branches from the
trees and adorn them with nosegays and crowns of flowers. When this
done, they return with their booty homewards about the rising of the
sun, and make their doors and windows to triumph in the flowery
spoil."[44] "But their cheefest jewell they bring from thence is their
Maie poole whiche they bringe home with great veneration, as thus: They
have twentie or fourtie yoke of oxen, every oxe havyng a sweete
nosegaie of flowers, tyed on the tippe of his hornes, and these oxen
drawe home this Maie poole."[45] Games, dances, rude dramatic
performances succeeded each other for hours, interspersed with feasting
and drinking. An extravagant fancy sought expression in the excitement,
of grotesque actions and brilliant costumes. The Morris dancers
executed their curious movements, clad in "gilt leather and silver
paper, and sometimes in coats of white spangled fustian,"[46] or in
"greene, yellow, or some other light wanton collour," bedecked with
"scarfs, ribbons and laces hanged all over with golde ringes, precious
stones and other jewells," and "aboute either legge twentie or fourtie
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