A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
It was, however, at Elizabeth's court, and among the nobility, that the
tendencies of the time were most marked. The literature of this
era--never surpassed in brilliancy and power--was the work of poets and
dramatists. It was the outcome of a poetical and dramatic life. Even
the fiction which belongs to the period was colored by the same
fondness for dramatic incident and poetic treatment. The enthusiasm
which had animated the nobility in their martial life went with them to
the court of Elizabeth. There it showed itself in gallantry, in love of
show, and in a devotion to amusement and to self-cultivation which
internal peace had at length made possible. Men of whom any age might
be proud crowded the scene. Cecil and Walsingham among statesmen, Drake
among discoverers, Bacon and Hooker among thinkers, Raleigh and Sidney
at once among courtiers, soldiers, and scholars. The prevailing
extravagance and variety of dress was simply the outward sign of a love
of whatever was brilliant and new. The fashions of France, of Spain, of
Turkey, even of the Moors contributed to the wardrobe of the English
gallant. "And, as these fashions are diverse, so likewise it is a
world to see the costlinesse and the curiositie: the excesse and the
vanitie: the pomp and the braverie; the change and the varietie: and
finallie the ficklenesse and the follie that is in all degrees:
insomuch that nothing is more constant in England than inconstancie of
attire."[50] Each one aimed at making the best appearance. The long
seams of men's hose were set by a plumb line, and beards were cut to
suit the face, "If a man have a leane and streight face, a Marquess
Ottons cut will make it broad and large; if it be platter-like, a long,
slender beard will make it seeme the narrower." "Some lustie courtiers
also, and gentlemen of courage doo weare either rings of golde, stones,
or pearle in their eares, whereby they imagine the workmanship of God
not to be a little amended."[51] All are familiar with the brilliant
female dress of the time. The enormous starched ruffs of various
colors, the long stomachers stiffened with wire and studded with
jewels, the costly stuffs enriched with gold and silver, made up a
costume which has never been surpassed in extravagance and fanciful
exaggeration.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account