A History of Epidemics in Britain, Volume 1 (of 2): From A.D. 664 to the Extinction of PlagueCreighton, Charles
History
A History of Epidemics in Britain, Volume 1 (of 2): From A.D. 664 to the Extinction of Plague
Creighton, Charles
Epidemics -- Great Britain -- History
Gilbert’s picture[136], as we have said, is unmistakeable, and the same
might be said of Bernard’s[137]--the eyebrows falling bare and getting
knotted with uneven tuberosities, the nose and other features becoming
thick, coarse and lumpy, the face losing its mobility or play of
expression, the raucous voice, the loss of sensibility in the hands, and
the ultimate break-up or _naufragium_ of the leprous growths into foul
running sores. The enumeration of nervous symptoms, which are now
recognised to be fundamental in the pathology of leprosy, shows that
Gilbert went below the surface. Among the “signa leprae generalia” he
mentions such forms of hyperaesthesia as _formicatio_ (the creeping of
ants), and the feeling of “needles and pins;” and, in the way of
anaesthesia, he speaks of the loss of sensibility from the little finger
to the elbow, as well as in the exposed parts where the blanched spots or
thickenings come--the forehead, cheeks, eyebrows, to which he adds the
tongue. Gilbert’s whole chapter ‘De Lepra’ is an obvious improvement upon
the corresponding one in Avicenna, who says that _lepra_ is a cancer of
the whole body, cancer being the _lepra_ of a single member, and is
probably confusing lupus with leprosy when he describes the cartilages of
the nose as corroded in the latter, and the nostrils destroyed by the same
kind of _naufragium_ as the fingers and toes. All students of the history
or clinical characters of leprosy, from Guy de Chauliac, who wrote about
1350, down to Hensler and Sprengel, have recognised in Gilbert’s and
Bernard’s account of it the marks of first-hand observation; so that we
may take it, without farther debate, that leprosy, as correctly diagnosed,
was a disease of Europe and of Britain in the Middle Ages.
Public-domain text, read in full here on John Shaqi.
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