A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
The cause of Henri against the League was served by the manuscript
circulation of a prose satire, with interspersed pieces of verse,
the work of a group of writers, moderate Catholics or converted
Protestants, who loved their country and their King, the _Satire
Menipee_.[5] When it appeared in print (1594; dated on the title-page
1593) the cause was won; the satire rose upon a wave of success, like
a gleaming crest of bitter spray. It is a parody of the Estates of
the League which had been ineffectually convoked to make choice of
a king. Two Rabelaisian charlatans, one from Spain, one from Lorraine,
offer their drugs for sale in the court of the Louvre; the virtues
of the Spanish Catholicon, a divine electuary, are manifold--it will
change the blackest criminal into a spotless lamb, it will transform
a vulgar bonnet to a cardinal's hat, and at need can accomplish a
score of other miracles. Presently the buffoon Estates file past to
their assembly; the hall in which they meet is tapestried with
grotesque scenes from history; the order of the sitting is determined,
and the harangues begin, harangues in which each speaker exposes his
own ambitions, greeds, hypocrisies, and egoism, until Monsieur
d'Aubray, the orator of the _tiers etat_, closes the debate with a
speech in turn indignant, ironical, or grave in its commiseration
for the popular wrongs--an utterance of bourgeois honesty and good
sense. The writers--Canon Pierre Leroy; Gillot, clerk-advocate of
the Parliament of Paris; Rapin, a lettered combatant at Ivry; Jean
Passerat, poet and commentator on Rabelais; Chrestien and Pithou,
two Protestants discreetly converted by force of events--met in a
room of Gillot's house, where, according to the legend, Boileau was
afterwards born, and there concocted the venom of their pamphlet.
Its wit, in spite of some extravagances and the tedium of certain
pages, is admirable; farce and comedy, sarcasm and moral prudence
alternate; and it had the great good fortune of a satire, that of
coming at the lucky moment.
[Footnote 5: Varro, who to a certain extent copied from Menippus the
Gadarene, had called his satires _Saturae Menippeae_; hence the
title.]
Public-domain text, read in full here on John Shaqi.
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