The window at the west end of this aisle, by Heaton, Butler & Bayne, was filled with coloured glass, by the late Mr. Henry Boulton, in memory of his first wife, being partly paid for by a surplus of £40 remaining from what was collected for the chancel east window, and the rest (about £40 more) by Mr. Boulton himself. The subject is the Saviour’s baptism in the Jordan. In the north aisle of the nave, the easternmost window was erected in 1902, at a cost of £98, from a bequest of the late Mr. Charles Dee, as a memorial of his friend the late Mr. Robert Clitherow. The subject is “The good Samaritan,” who, in the central light, is relieving the wounded wayfarer; while, in the side lights, the Priest and Levite are represented as passing him by. In the two upper quatrefoils are angels holding scrolls, with the inscriptions (1) “Let your light so shine before men,” (2) “That they may see your good works.” An inscription runs across the three lights, “Blessed is he that provideth for the sick and needy, the Lord shall deliver him in the time of trouble;” and, below all, “To the glory of God, and in memory of Robert Clitherow, a truly Christian gentleman, by his faithful servant.” {38} The artists were Messrs. Clayton & Bell. The next window to this, also by Messrs. Clayton & Bell, is considered the best specimen of coloured glass in the church. It was erected by public subscription, largely through the exertions of the late Mrs. Terrot, then of Wispington Vicarage, near Horncastle, her husband, the Rev. Charles Pratt Terrot, a clever artist and learned antiquary, supplying the design. It is inscribed “To the glory of God, and in memory of Frederick Harwood, formerly churchwarden, who died March 12, 1874, aged 51 years.” Mr. Harwood was an indefatigable church worker, and died suddenly, after attending a Lent service, when he occupied his usual seat, near this window. It is of three lights, the subjects being six, (1) the centre light illustrates “Charity;” a female figure above, holding one child in her arms and leading others; while below is “Joseph in Egypt, receiving his father, Jacob.” (2) The west light illustrates “Faith,” a female above, holding a cross and bible, and below “Abraham offering his son Isaac.” (3) The east light illustrates “Hope,” a female above, leaning upon an anchor, and below “Daniel in the den of lions.” The grouping of the subjects and arrangement of the canopies are admirable.