The two works represent a large number of similar marbles after
Pergamene originals scattered through the galleries of Europe. They
lead us at once to inquire into the historical events they clearly
incarnate.
The story of the foundation of Pergamus is full of interest. During
the years following Alexander’s death, Lysimachus had accumulated a
vast treasure in the impregnable Acropolis of Pergamus. He placed his
lieutenant Philetairus in charge, occupying himself with schemes of
conquest. But Lysimachus was human and late in life took to himself
a young wife. To humour her he assented to the murder of a son by a
former marriage. The atrocity finally alienated Philetairus. He headed
a rebellion, seized the treasure under his charge and founded the
kingdom of Pergamus in 283 B.C.
The dynasty founded in this dramatic fashion was destined to a stormy
history. As early as 280 B.C. fresh danger threatened from the hordes
of Gauls, who began to pour across the passes of the Balkans. Some of
these barbarians marched upon Greece. Others crossed the Bosphorus at
Byzantium, and eventually founded the Gallo-Greek kingdom of Galatia
in the heart of Phrygia. But the king of Pergamus felt that his safety
depended upon checking the victorious career of the Gauls. Allying
himself with the ruling Seleucus, Attalus I. of Pergamus inflicted a
signal defeat. This was about 241 B.C. The victory was not the only one
gained by the kingdom of Pergamus. Early in the second century, Eumenes
II. (197 B.C.-159 B.C.) gained fresh laurels for his countrymen.
The effect of these brilliant victories upon the imagination of the
people of Pergamus can only be realized by comparing it with that of
Marathon and Salamis upon the fifth-century Athenians. All around
them the Pergamenes saw civilized communities acknowledging defeat at
the hands of the Gauls. As the Athenians stemmed the tide of Persian
invasion at Marathon, so the Princes of Pergamus saved the Greeks in
Asia Minor from the barbarian Gauls who seemed destined to sweep away
the newly planted Hellenic civilization. The victories made Pergamus
the rival of Alexandria and Antioch. As had been the case after
Salamis, a long series of public buildings and temples were erected,
until the Acropolis at Pergamus threatened to outshine even that at
Athens. Among the statues, as we have said, was the bronze original of
“The Dying Gaul.”
Public-domain text, read in full here on John Shaqi.
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