A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
28. Buy a cocke, or a gelding.
29. Old showes or bootes; will you buy some broome?
30. Mussels, lilly white mussels.
31. Small cole a penny a peake.
32. What kitchen stuff have you, maides?
The figures, male and female, in the engravings, are all three-quarter
lengths, furnished with the implements of their various trades, or with
the articles in which they deal. The Watchman (one of the best) is a fine
old fellow, with a broad brim to his hat, a reverential beard, a halberd
in one hand, and a lanthorn in the other (after the manner of the one we
have given at page 46). But perhaps the most curious engraving in the set
is the "cry" called "Some broken breade and meate for y{e} poore
prisoners: for the Lord's sake pittey the poore." This represents a poor
prisoner with a sealed box in his hand, and a basket at his back--the box
for alms in the shape of money, and the basket for broken bread and meat.
There is also preserved a small handbill printed in 1664, and entitled,
"The Humble Petition of the Poor Distressed Prisoners in Ludgate, being
above an hundred and fourscore poor persons in number, against the time of
the Birth of our Blessed Lord and Saviour Jesus Christ." "We most humbly
beseech you," says the handbill "(even for God's cause), to relieve us
with your charitable benevolence, and to put into this Bearers Boxe, the
same being sealed with the house seale as it is figured on this Petition."
[Illustration:
"Pity the sorrows of a poor old man,
Whose trembling limbs have borne him to your door."]
To, "O, rare Ben Jonson!" we are indebted for the most perfect picture of
Smithfield at "Barthol'me-tide," which he gives us, together with the
popular cries in vogue at the time, in his comedy of "_Bartholomew Fair_,"
produced at the Hope Theatre, on the Bankside, 1614, and acted, as Jonson
tells us, by the lady Elizabeth's servants.
The second act opens with "_The Fair. A number of Booths, Stalls, &c., set
out_." The characters presented are "Lanthorn Leatherhead," _a hobby-horse
seller_. "Bartholomew Cokes," _an esquire of Harrow_. "Nightingale," _a
ballad-singer, a costard-monger, mousetrap-man, corn cutter_. "Joan
Trash," _a gingerbread woman_. "Leatherhead" calls--"What do you lack?
what is't you buy? what do you lack? rattles, drums, halberts, horses,
babies o' the best? fiddles o' the finest." "Joan Trash" cries, "Buy my
gingerbread, gilt gingerbread!" the costard-monger, bawls out, "Buy any
pears, pears, fine, very fine pears!" "Nightingale," the ballad man
sings--
"Hey, now the Fair's a filling!
O, for a tune to startle
The birds o' the booths here billing
Yearly with old saint _Bartle_!
The drunkards they are wading,
The punks and chapmen trading:
Who'd see the _Fair_ without his lading?
Buy my ballads! new ballads!"
Public-domain text, read in full here on John Shaqi.
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