everything so long as it was honorable to write and promised to make the world better. But it was not what Johnson wrote so much as what Johnson did that commanded his age and commands posterity. In the truest sense of the word, he lived beautifully. "Rasselas" and "The Idler," "London" and "The Vanity of Human Wishes," "The Rambler" and the "Sessions of Lilliput," and the "Lives of the Poets," and even the famous "Dictionary," only claim remembrance because they were done by a man who would be as interesting a study and as ennobling an example if he had never written a line of the works that bear his signature in every sentence of their solemn, even their portentous majesty. Johnson had the kindest heart wrapped in a rugged hide. One of the noblest of the many noble stories about him relates how he and a friend, whose name of Burke was not then famous, found a poor woman of the streets houseless, hungry, and exhausted in the streets. Burke had a room which he could {44} offer the poor creature for a night's shelter; but Burke could not get the woman there. Johnson had no room--his dependents swarmed over every available space at his command--but he had the strength of a giant, and he used it as a giant should, in carrying the poor wretch in his arms to the roof that Burke could offer her. Long years later, another man of letters, hungry, homeless, and friendless, sick almost unto death, found a kind friend and gentle nurse in a woman of the streets. In succoring De Quincey we may well think that Anne was repaying something of the debt owed by one of her unhappy class to two of the glories of literature and of humanity.