Even the seraphic realms of music were invaded by the dispute between the adherents of the King and the adherents of the prince. The King and Queen were supporters {51} of Handel, the prince was against the great composer. The prince in the first instance declared against Handel because his sister Anne, the Princess of Orange, was one of Handel's worshippers, therefore a great number of the nobility who sided with the prince set up, or at least supported, a rival opera-house to that in which Handel's music was the great attraction. The King and Queen, Lord Hervey tells, were as much in earnest on this subject as their son and daughter, though they had the prudence to disguise it, or to endeavor to disguise it, a little more. They were both Handelists, "and sat freezing constantly at his empty Haymarket opera, whilst the prince, with all the chief of the nobility, went as constantly to that of Lincoln's Inn Fields." "The affair," Hervey adds, "grew as serious as that of the Greens and the Blues under Justinian at Constantinople; an anti-Handelist was looked upon as an anti-courtier, and voting against the Court in Parliament was hardly a less remissible or more venial sin than speaking against Handel or going to the Lincoln's Inn Fields Opera." Hervey was a man of some culture and some taste; it is curious to observe how little he thought of the greatest musician of his time, one of the very greatest musicians of all time. The London public evidently could not have been gifted with very high musical perception just then. Indeed, later on, when Handel brought out his "Messiah," it was met with so cold and blank a reception in London that the composer began to despair of the English public ever appreciating his greatest efforts. He made up his mind to try his "Messiah" in Ireland. He went to Dublin, and there found a splendid reception for his masterpiece, and he remained there until the echo of his great success had made itself heard in England, and he then came back and found his welcome in London. This, however, is anticipating. At present we are only concerned with the fact, as illustrating the existing condition of things in London, that to be an admirer of Handel was to be an enemy of the Prince of Wales, and not to be an {52} admirer of Handel was to be an enemy of the King. The feud ran so high that the Princess Royal said she expected in a little while to see half the House of Lords playing in the orchestra in their robes and coronets. She herself quarrelled with the Lord Chamberlain for preserving his usual neutrality on this occasion, and she spoke of Lord Delaware, who was one of the chief managers against Handel, "with as much spleen as if he had been at the head of the Dutch faction who opposed the making her husband Stadtholder." It seems needless to say that George himself had no artistic appreciation of Handel. He subscribed one thousand a year to enable Handel to fight his battle,