A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
[26] This "out-of-bounds" passion will of course be recognised as a
Romantic trait, though it had Classical suggestions. Chateaubriand
appears to have been rather specially "obsessed" by this form of it, for
he not merely speaks constantly of Rene as _le frere d'Amelie_, but goes
out of his way to make the good Father in _Atala_ refer, almost
ecstatically, to the happiness of the more immediate descendants of Adam
who were _compelled_ to marry their sisters, if they married anybody. As
I have never been able to take any interest in the discussions of the
Byron and Mrs. Leigh scandal, I am not sure whether this _tic_ of
Chateaubriand's has been noticed therein. But his influence on Byron was
strong and manifold, and Byron was particularly apt to do things,
naughty and other, because somebody else had done or suggested them. And
of course it has, from very early days, been suggested that Amelie is an
experience of Chateaubriand's own. But this, like the investigations as
to time and distance and possibility in his travels and much else also,
is not for us. Once more I must be permitted to say that I am writing
much about French novels, little about French novelists, and least of
all about those novelists' biographers, critics, and so forth.
Exceptions may be admitted, but as exceptions only.
[27] I once had to fight it out in public with a valued and valiant
friend for saying something like this in regard to Edgar of
Ravenswood--no doubt, in some sort a child of Rene's or of Nelvil's; but
I was not put to submission. And Edgar had truer causes for sulks than
his spiritual ancestor had--at least before the tragedy of Amelie.
[28] Not in the strict theological meaning of this phrase, of course;
but the misuse of it has aesthetic justification.
[29] _I.e._ not mere "sloth," but the black-blooded and sluggish
melancholy to which Dante pays so much attention in the _Inferno_. This
deadly sin we inadequately translate "sloth," and (on one side of it) it
is best defined in Dante's famous lines (_Inf._ vii. 121-3):
Tristi fummo Nell' aer dolce che dal sol s' allegra, Portando dentro
accidioso fummo.
Had Amelie sinned and not repented she might have been found in the
Second circle, flying alone; Rene, except _speciali gratia_, must have
sunk to the Fourth.
[30] For instance, he goes a-beaver-hunting with the Natchez, but his
usual selfish moping prevents him from troubling to learn the laws of
the sport, and he kills females--an act at once offensive to Indian
religion, sportsmanship, and etiquette, horrifying to the consciences of
his adopted countrymen, and an actual _casus belli_ with the
neighbouring tribes.
Public-domain text, read in full here on John Shaqi.
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