A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
employed them in the production of some of the most brilliant Greek
impressions Europe has ever seen.[117] During the seventeenth century
the Royal Greek punches and matrices lay for the most part idle; but
in 1691, Anisson, Director of the Imprimerie Royale, rescued them from
obscurity, and caused new punches to be cut and matrices struck, to
supply what were missing, by Grandjean, the famous Parisian founder.
In the Low Countries, as early as 1501, Thierry Martens, at Louvain,
had Greek types with which he printed occasional words. He produced
an edition of _Æsop_ in 1513, and in 1516 a _Grammar_ of Theodore
de Gaza’s, and a little book of _Hours_, in Greek. The latter is
considered an excellent piece of typography. Greek printing attained
to considerable celebrity in the Low Countries. The Greek fount used
in Plantin’s _Polyglot_, in 1569–72, is said to have been cut by the
famous French founder and engraver, Le Bé.
Spain claims a prominent place in the history of early Greek
printing in Europe, as it was at Alcala in that country that the
famous _Complutensian Polyglot_ of Cardinal Ximenes was printed in
1514–17,[118] including the entire text of the Bible in Greek. The
fount employed in the New Testament is very grand and imposing, and is
said to have been cut specially for the work on the models of Greek
manuscripts of the eleventh or twelfth century.
Before the completion of this great work, Germany had secured the
honour of producing the first entire _Greek Testament_ at the press
of Froben of Basle. Froben’s Greek is somewhat cramped and stiff.
Oporinus, who printed in the {60} same city in 1551, besides using a
fount identical with that of Froben, introduced a smaller and much
neater letter at the same time. Numerous printers produced Greek works
in Germany at this period, perhaps the most famous being Andrew Wechel,
who began at Paris with types inherited from his father, but in 1573
established himself at Frankfort, where he printed several very fine
works in a new and most elegant Greek, said to have been acquired from
the Estiennes, to whose letter it bears the closest resemblance.
Public-domain text, read in full here on John Shaqi.
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